The ascent to this Chapel is from the east end of the Abbey, by steps of grey marble, under a stately portico, which leads to the gates opening to the body, or nave of the Chapel. Before you enter you may observe a door on each hand, opening into the side aisles, for it is composed of a nave and side aisles, every way answering to the plan of a cathedral. The gates by which you enter the nave are all well worth your observation; they are of brass, most curiously wrought, in the manner of frame work, and the panels being filled with the portcullis and crown; three fleur-de-lis; falcon and fetterlock; the union of the roses of York and Lancaster entwined in a crown; the thistle and crown; the initial R. H. and a crown, and the three lions of England. Being entered, your eye will naturally be directed to the lofty ceiling, which is in stone, wrought with such astonishing variety of figures, as no description can reach. The stalls are of brown wainscot, with Gothic canopies, most beautifully carved, as are the seats, with strange devices, which nothing on wood is now equal to. The pavement is of black and white marble, done at the charge of Dr. Killigrew, once Prebendary of this Abbey, as appears by two inscriptions, one on a plate of brass, infixed in the rise towards the founder's tomb, the other cut in the pavement. The east view from the entrance presents you with the brass chapel and tomb of the founder; and round it, where the east end forms a semicircle, are the Chapels of the Dukes of Buckingham and Richmond. The walls of the nave and aisles are wrought in the most curious figures imaginable, and contain one hundred and twenty large statues of Patriarchs, Saints, Martyrs, and Confessors, placed in niches, under which are angels, supporting imperial crowns, all of them esteemed so curious, that the best masters have travelled from abroad to copy them. The windows, which are fourteen in the upper, and nineteen in the lower range, including the side aisles and portico, were formerly of painted or diapered glass, having in every pane a white rose, the badge of Lancaster, or an H, the initial letter of the founder's name, and portcullises, the badge of the Beauforts crowned, of which a few only are now remaining. In the upper window, east end, Henry VII. is represented in stained glass. The ceiling is of stone, and persons can walk between the roof and ceiling, where there is a spacious room, lighted by Gothic openings through the wall. _General Admeasurement of the Interior._