Lecture read before the History Club of Harvard University, April 27, 1908, and at Yale, Columbia, and Western Reserve Universities. THE PROFESSION OF HISTORIAN I am assuming that among my audience there are some students who aspire to become historians. To these especially my discourse is addressed. It is not to be expected that I should speak positively and in detail on matters of education. Nevertheless, a man of sixty who has devoted the better part of his life to reading, observation, and reflection must have gained, if only through a perception of his own deficiencies, some ideas that should be useful to those who have, life's experience before them. Hence, if a Freshman should say to me, I wish to be a historian, tell me what preliminary studies you would advise, I should welcome the opportunity. From the nature of the case, the history courses will be sought and studied in their logical order and my advice will have to do only with collateral branches of learning. In the first place, I esteem a knowledge of Latin and French of the highest importance. By a knowledge of French, I mean that you should be able to read it substantially as well as you read English, so that when you have recourse to a dictionary it will be a French dictionary and not one of the French-English kind. The historical and other literature that is thus opened up to you enables you to live in another world, with a point of view impossible to one who reads for pleasure only in his own tongue. To take two instances: Moliere is a complement to Shakespeare, and the man who knows his Moliere as he does his Shakespeare has made a propitious beginning in that study of human character which must be understood if he desires to write a history that shall gain readers. "I have known and loved Moliere," said Goethe, "from my youth and have learned from him during my whole life. I never fail to read some of his plays every year, that I may keep up a constant intercourse with what is excellent. It is not merely the perfectly artistic treatment which delights me; but particularly the amiable nature, the highly formed mind of the poet. There is in him a grace and a feeling for the decorous, and a tone of good society, which his innate beautiful nature could only attain by daily intercourse with the most eminent men of his age."[3]