Great Britain -- History; History; United States -- History
The Calvinist minister, his tutor, was a more useful guide for Gibbon in
the matter of religion than in his intellectual training. Through his
efforts and Gibbon's "private reflections," Christmas Day, 1754, one
year and a half after his arrival at Lausanne, was witness to his
reconversion, as he then received the sacrament in the Calvinistic
Church. "The articles of the Romish creed," he said, had "disappeared
like a dream"; and he wrote home to his aunt, "I am now a good
Protestant and am extremely glad of it."[90]
An intellectual and social experience of value was his meeting with
Voltaire, who had set up a theater in the neighborhood of Lausanne for
the performance mainly of his own plays. Gibbon seldom failed to procure
a ticket to these representations. Voltaire played the parts suited to
his years; his declamation, Gibbon thought, was old-fashioned, and "he
expressed the enthusiasm of poetry rather than the feelings of nature."
"The parts of the young and fair," he said, "were distorted by
Voltaire's fat and ugly niece." Despite this criticism, these
performances fostered a taste for the French theater, to the abatement
of his idolatry for Shakespeare, which seemed to him to be "inculcated
from our infancy as the first duty of an Englishman."[91] Personally,
Voltaire and Gibbon did not get on well together. Dr. Hill suggests that
Voltaire may have slighted the "English youth," and if this is correct,
Gibbon was somewhat spiteful to carry the feeling more than thirty
years. Besides the criticism of the acting, he called Voltaire "the
envious bard" because it was only with much reluctance and ill-humor
that he permitted the performance of Iphigenie of Racine. Nevertheless,
Gibbon is impressed with the social influence of the great Frenchman.
"The wit and philosophy of Voltaire, his table and theatre," he wrote,
"refined in a visible degree the manners of Lausanne, and however
addicted to study, I enjoyed my share of the amusements of society.
After the theatrical representations, I sometimes supped with the
actors: I was now familiar in some, and acquainted in many, houses; and
my evenings were generally devoted to cards and conversation, either in
private parties or numerous assemblies."[92]
Public-domain text, read in full here on John Shaqi.
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