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HISTORICAL MINIATURES
By August Strindberg
Translated by Claud Field, M.A.
PREFACE
Maximilian Harden, the well-known critic, writes in the _Zukunft_ (7th
September 1907) of the _Historical Miniatures_:
“A very interesting book, as might be expected, for it is Strindberg’s.
And I am bold enough to say a book which should and must be successful
with the public. The writer is not here concerned with Sweden, nor with
Natural History. A philosopher and poet here describes the visions which
a study of the history of mankind has called up before his inner eye.
Julian the Apostate and Peter the Hermit appear on the stage, together
with Attila and Luther, Alcibiades and Eginhard. We see the empires
of the Pharaohs and the Czars, the Athens of Socrates and the ‘Merry
England’ of Henry VIII. There are twenty brief episodes, and each of
them is alive. So powerful is the writer’s faculty of vision, that it
compels belief in his descriptions of countries and men.”
“The question whether these cultured circles really were as described,
hardly occurs to us. Never has the remarkable writer shown a more
comprehensive grasp. Since the days of the _Confession of a Fool_,
Strindberg has become a writer of world-wide significance.”
[Footnote: one collection of Maximilian Harden’s essays is published by
Messrs. Blackwood, and another by Mr. Eveleigh Nash.]
CONTENTS
PREFACE
THE EGYPTIAN BONDAGE
THE HEMICYCLE OF ATHENS
ALCIBIADES
SOCRATES
FLACCUS AND MARO
LEONTOPOLIS
THE LAMB
THE WILD BEAST
THE APOSTATE
ATTILA
THE SERVANT OF SERVANTS
ISHMAEL
EGINHARD TO EMMA
THE CLOSE OF THE FIRST MILLENNIUM
PETER THE HERMIT
LAOCOON
THE INSTRUMENT
OLD MERRY ENGLAND
THE WHITE MOUNTAIN
THE GREAT CZAR
THE SEVEN GOOD YEARS
DAYS OF JUDGMENT
STRINDBERG’S DEATH-BED
THE EGYPTIAN BONDAGE
The old worker in ebony and cabinet-maker, Amram, dwelt by the
river-side in a clay-hut which was covered with palm-leaves. There he
lived with his wife and three children. He was yellow in complexion and
wore a long beard. Skilled in his trade of carving ebony and hard wood,
he attended at Pharaoh’s court, and accordingly also worked in the
temples. One morning in midsummer, just before sunrise, he got out of
bed, placed his implements in a bag, and stepped out of his hut. He
remained standing on the threshold for a moment, and, turning to the
east, uttered a low prayer. Then he began to walk between fishermen’s
huts, following the black broken bank of the river, where herons and
doves were resting after their morning meal.
His neighbour, the fisherman, Nepht, was overhauling his nets, and
placing carp, grayling, and sheat-fish in the different partitions of
his boat.
Amram greeted him, and wished to say some words in token of
friendliness.
“Has the Nile ceased to rise?” he asked.
Public-domain text, read in full here on John Shaqi.
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