Historical Parallels, vol. 1 (of 3)Malkin, Arthur Thomas
History
Historical Parallels, vol. 1 (of 3)
Malkin, Arthur Thomas
History -- Popular works; World history -- Popular works
The instances chosen have not been very strictly confined to what
rests upon undoubted testimony. Perhaps we learn little less of the
habits and opinions of men, from ascertaining what they have believed
of others, than from knowing what they have done themselves; and,
therefore, even works of fiction may be resorted to in some degree,
care being taken to distinguish the character of the authorities.
For example, we should have no hesitation in quoting even from the
Mort d’Arthur, and still more from the earlier romances on which
it is founded, in illustration of the manners of the twelfth and
thirteenth centuries, in which those romances were written; or,
though on different grounds, the admirable narratives of the plagues
of Florence and London by Boccaccio and Defoe, which probably are no
less trustworthy for the character of the narrative, and in a great
degree for the facts themselves, than Thucydides’ description of
the plague at Athens. Again, there is a sort of debateable ground,
where genuine history begins to gain the ascendant over fable, as
in the case of Aristomenes and Wallace, where we cannot tell, nor
is it important to know, the exact measure of truth contained in
the legends concerning them. The outlines of their lives we have
reason to believe to be correct, and rejecting from their exploits
all that is grossly improbable, the remainder will furnish us with a
sufficiently clear idea of the accomplishments and adventures of a
warrior of their respective ages. The poem of Blind Harry abounds in
improbable fictions, but much more information concerning Wallace
and his contemporaries may be gained from it than from the meagre
chronicles which composed the graver literature of the age. From
such sources, therefore, we shall not scruple to borrow, though not
without advertising the reader of their nature, and endeavouring, where
necessary, to draw the boundary line between truth and fiction.
For reasons above stated, our extracts have usually been taken from
contemporary authors, or at least from the earliest authorities
extant. Where this rule has been departed from, it is because the
originals offer no striking passages to select, and are too prolix
to be given entire. In this case, condensation becomes necessary,
and we have gladly availed ourselves of the labours of others who
have already performed that task, in preference to seeking novelty
at the expense perhaps of accuracy or elegance. For the same reason
existing translations have been used, whenever a good translation of
the particular passage could be found. Where none such occurred, we
have endeavoured to adhere closely to our author, and even where his
narrative has been much compressed, to give, as far as was possible,
not only his substance, but his words.
[Illustration]
CHAPTER I.
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