Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
By far the largest portion of Russian popular songs is of the erotic
kind. According to Russian authorities, even their oldest ballads, to
judge from the language,[21] cannot be traced further than to the last
quarter of the sixteenth century; and the number even of these is very
small. Most of those now current among the people are derived from the
beginning of the middle of the last century. According to Goetze, the
reign of Peter the First was very favourable to popular poetry.[52]
His daughter, the empress Elizabeth, was a successful poetess herself;
and her ditties had a perfectly popular character. If we may draw a
conclusion from the frequency with which modern historical events have
given birth to popular ballads, one must suppose that many ancient
ones are lost. The victories of Peter the First are celebrated in many
popular ballads, some of which are of no inconsiderable merit; as the
reader will judge for himself from the specimen we give below. The
French invasion also, of 1812, which aroused the Russian nation so
powerfully, gave rise to not a few patriotic songs, of many of which
the authors were peasants and common soldiers.
There are, however, various indications, which seem to justify the
belief, that several of the Russian ballads still current among the
people are, in fact, more ancient than they appear, or perhaps even
than they actually are in their present shape. We have not room here
to dwell on this subject. We remark only, that from one circumstance
alone we may draw the safe conclusion, that the Russians have ever
been a _singing_ race. We allude to their custom of attaching verses
full of allusions and sacred meaning to every festival, nay, to every
extraordinary event of human life, and thus of fettering the flying
hours with the garland chains of poetry and song. They have to this
very day their wedding songs, Pentecost and Christmas carols, and
various other songs, named after the different occasions on which they
are chanted, or the game which they accompany. Although these songs,
also, have been modernized in language and form, they seem always to
have been regarded with a kind of pious reverence, and appear to have
been altered as little as possible. Most of their allusions are, for
that reason, unintelligible at the present day. That their groundwork
is derived from the age of paganism, is evident from the frequent
invocations of heathen deities, and from various allusions to heathen
customs.
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