Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
Nearly related to these songs are the various ditties of a social
kind, which peasant girls and lads are in the habit of singing on
certain, stated occasions; for instance, walking songs, dancing songs,
and the like. They consist mostly of endless repetition, often of
words or single syllables, apparently without meaning; and the tune,
in which these fragmentary poems are sung, is after all the best part
of it. Yet not seldom a spark of real poetry shines through that
melodious tissue of unmeaning words. What is most remarkable in these
songs, which have now been more than a century the exclusive property
of the common people, is the utter absence of coarseness and
vulgarity, even in the wedding songs.
The Russian songs, like the Russian language, have a peculiar
tenderness, and are full of caressing epithets. These are even
frequently applied to inanimate objects. A Russian postilion, in a
simple and charming song, calls the tavern, which he never can make up
his mind to pass without stopping, "his dear little mother." The words
_Matushka, Batushka, Starinka_, which we may venture to give in
English by _motherling, fatherling, oldling_, are in Russian favourite
terms of endearment. The post-boy's song may stand here as eminently
characteristic of the cheerful, childlike, caressing disposition of
the nation. It is translated in the measure of the original, as nearly
as it could be imitated in English.
THE POSTILION.
Tzarish Tavern, thou
Our good motherling,
So invitingly
Standest by the way!
Broad highway, that leads
Down to Petersburg;
Fellows young as I,
As they drive along,
When they pass thee by,
Always will turn in.
Ah, thou bright sun-light,
Red and bright sun-light,
O'er the mountain high,
O'er the forest oaks;
Warm the youngster's heart,
Warm, O warm me, sun;
And not me alone,
But my maiden, too.
Ah, thou maiden dear,
Fairest, dearest maid,
Thou my dearest child,
Art so kind and good!
Black those brows of thine,
Black thy little eyes,
And thy lovely face
All so round and white;
Without painting, white,
Without painting, red!
To thy girdle rolls
Fair and braided hair;
And thy voice is soft,
Full of gentle talk.
P.
Russian lovers are quite inexhaustible in fondling and caressing
expressions. "My shining moon, my bright sun, my nourisher
(_Kormiletz_), my light, my hope, my white swan," together with all
those epithets common to all languages, as, _dove, soul, heart_, etc.
are current terms In Russia. Especially favourable to this
affectionate manner of address is the abundance of diminutives which
the language possesses. Not only "little soul," "little heart,"
_Dushinka, Serdzinka_, etc. are favourite expressions of Russian
lovers; but we find even _Yagodka_, "little berry," and _Lapushka_,
"little paw," etc. Love is ingenious in inventing new diminutives for
the beloved object.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account