Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
Of all the surviving Slavic tribes, we have seen that the nationality
of the VENDES of Lusatia is most endangered. If formerly, as a race,
they suffered from persecution and oppression, they have now for
several centuries shared all the advantages of an enlightened
education and wise institutions with their German countrymen; and it
would therefore be erroneous to consider them still in the light of an
oppressed or subjugated nation. Although their language cannot be said
to be _favoured_ by the government, they have their schools, their
worship, their courts of justice, and, above all, their ballads,
without let or hinderance; and if nevertheless the statistics of each
year, especially in the plains of Lower Lusatia, show a diminution of
the Slavic speaking population, we must attribute it rather to the
natural and irresistible effect of time and circumstances, than to any
despotic or arbitrary measures of the government. The Vendish
villages are flourishing; the costumes of the peasants are heavy and
rich; and to their general welfare the _cheerful_ merry character of
their ballads seems to bear testimony. Their melodies resemble the
Bohemian, as much as their ballads do those of their neighbours; but
German melodies also are frequently heard among them, and many
translations of German popular ballads have become perfectly
naturalized. That the language of Upper Lusatia approaches very near
to the Bohemian, we have stated above. It is, however, much more
interspersed with German words; although not to such a degree as the
Lower Lusatian dialect.
Of all the Slavic popular ballads, we find in those of the Lusatians
least of that chaste feeling, which is in general characteristic of
Slavic love songs. The pleasures of illicit intercourse and their
consequences, which make also a favourite theme of the common English
and German ballads, are often grossly described; and we may conclude
that the talent of extemporizing, or in general making pretty verses,
has forsaken the female villagers in this German neighbourhood, and
passed over to the men.
We give here two characteristic ballads of the Upper Lusatian
language.
THE ORPHAN'S LAMENT.[63]
Far more unhappy in the world am I,
Than on the meadow the bird that doth fly.
Little bird merrily flits to and fro,
Sings its sweet carol upon the green bough.
I, alas, wander wherever I will,
Every where I am desolate still!
No one befriends me, wherever I go.
But my own heart full of sorrow and woe!
Cease thy grief, oh my heart, full of grief,
Soon will a time come that giveth thee relief.
Never misfortune has struck mo so hard,
But I ere long again better have fared.
God of all else in the world has enough;
Why not then widows and orphans enough?[64]
GOOD ADVICE FOR LADS.
Let him who would married be,
Look about him and take care,
That he does not take a wife,
Take a wife;
He'll repent it till his life.
Public-domain text, read in full here on John Shaqi.
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