Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry — John Shaqi
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
1. The _Russian proper_, the true literary language of the whole
Russian nation, and _spoken_ in Moscow and all the central and
northern part of the European Russian empire. And here we will
mention the remarkable fact, that the peasant on the Wolga, on the
Oka, and on the Moskwa, speaks the same pure Russian which is heard in
the parlour and from the pulpit. Vulgar and corrupted branches of this
dialect, are those of Suzdal and Olonetzk, the last of which is mixed
with Finnish words.
2. The _Malo-Russian_, the language of the south of Russia, especially
towards the east. The principal difference between this dialect and
the Russian proper, consists partly in the pronunciation of several
letters; e.g. in that of the consonant [Cyrillic: character ghe],
which sounds in the latter like _g_ hard, but in the former like _h_,
as _hospodin_ instead of _gospodin_, master, lord; partly in many
obsolete forms of expression, which seem to give to the Malo-Russian a
nearer relationship to the Old Slavic, in which similar idioms are to
be found. The influence of the Poles, who for nearly two centuries
were rulers of this part of the country, is also still perceptible in
the language, This dialect is especially rich in national songs. Many
of them are of peculiar beauty, touching _naiveté_; and a poetical
truth which far outshines all artificial decorations. The greater part
of these songs have an elegiac character; as is the case indeed with
most productions of the common people.[2] The dialect itself, however,
is far from being less adapted to the expression of the comic. There
exists in it a travesty of the AEneid, written by J. Kotliarevski, a
Kozak, which has found great favour throughout all Russia, although a
foreigner is less able to appreciate its peculiarities and beauties;
since indeed all poetic excellence of a comic description can be felt
only by those who are familiar not only with the poetic language, but
also with all those minute local and historical circumstances, the
allusions to which contribute so frequently to augment the ludicrous.
Essentially the same with the Malo-Russian is the idiom of the
_Russniaks_ in Red Russia, in the eastern part of Galicia, and the
north-eastern districts of Hungary; and the few variations which occur
in it have not yet been sufficiently investigated. Comparatively
little attention has been paid to this branch of the Slavic race; and
their beautiful national songs, scattered among a widely extended
people, have only recently become the object of curiosity and
examination.
Public-domain text, read in full here on John Shaqi.
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