Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
The first circumstance which directed the attention of literary Europe
to this remote corner, was a visit of the present king of Saxony, who
in 1838 made a botanical excursion into those "black mountains." [16]
Since then, the celebrated Egyptian scholar, Wilkinson, has visited
it; and this country is no longer closed against travelling artists.
The Vladika has naturally the manners of a gentleman; he is said to
speak French, and to understand German, Italian, and of course
Russian. That he is considered as one of the best riflemen and
horsemen in his country, we cannot esteem as of much importance in a
bishop; but he studies also the classics and translates the Iliad for
his own pleasure. His Servian poems seem mostly to have been written
on particular occasions. He addressed an ode to the king of Saxony
after his return to Dresden, which unfortunately not a person of the
whole court could understand; and the author of this volume, who
happened then to be at the "German Athens," was applied to for a
translation.[17] In their own productions, all these educated writers
imitate the modern literature of other nations further advanced in
civilization, especially the Germans. Milutinovitch has even a tinge
of their philosophy. There is no want of talent; but there is no
nationality in them. Nothing of that wonderful amalgamation of the
East and the West; of mountaineer wildness and Christian principles;
of barbarism and civilization; nothing of that interesting blending of
Asia and Europe, which we feel entitled to expect from the poetry of
_Servians_, who stand on the border between Muhammedanism and
Christendom. Nothing which these educated writers have hitherto
produced, can be compared with the effusions of their old blind men,
and of their peasant lads and girls, that is, their popular poetry.
Vuk's grammar, printed at Vienna 1818, before his dictionary, has
since been rendered accessible to other European nations by Grimm's
translation. Another Servian grammar has been published in German, by
Schaffarik. Vuk's judicious alphabetical arrangement and orthography,
we are sorry to say, have not been generally adopted; and the Russian
alphabet is still partly in use, with a number of letters superfluous
for the Servian language, which has not the shades of sound they are
meant to denote.
The political movements in Servia, during the last twelve years, have
of course been exceedingly injurious to the development of its infant
literature. While it seemed, under the energetic administration of
prince Milosh, in a fair way of progress, the confused cries of war
and insurrection since his abdication have drowned the modest voice of
the young muse. Of late, indeed, intelligence from that country has
been so rare, that we are unable to give a picture of the present
state of things.
2. _Literature of the Dalmatians or Illyrico-Servians of the Romish
Church_.
a) GLAGOLITIC LITERATURE.
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