The abbey presents few features of its ancient grandeur, the chapter
house, cloister, and refectory are entirely destroyed. In the stately
chapter house occurred the early authorised assembly of that popular
representation in the constitution of this kingdom, to which, under
Providence, Englishmen have been indebted for much of their subsequent
prosperity. From the important state affairs which were transacted here
in 1307–8 it was denominated the Great Parliament. The cross of
Canterbury was brought here, upon which the lords spiritual and temporal
were sworn to observe and keep all the statutes which were then made.
Here too, Richard II., attended by a numerous guard of Cheshire men,
entertained the members of his parliament with a sumptuous feast. The
site of the abbey embraced upwards of ten acres, but it is no longer
possible to trace the wide circuit of the ancient embattled walls. In
1836, on excavating near the site of the chapter house, a leaden seal was
found, which had once been appended to a bull from the pope, whose name
is thus inscribed on it:—INNOCENTUS. P.P. IIII. The most interesting
portions of the ruins is a little octagonal structure, six feet in
diameter, which is generally called the Stone Pulpit, the admiration of
every antiquary and person of taste. Some broken steps lead to the
interior through a narrow flat arched door on each side. The south part
stands upon a portion of a ruined wall, and originally looked into one of
the outer courts. The corresponding moiety projected considerably within
the hall, and rests upon a single corbel, terminating in a head. From
this point it gradually spreads, with a variety of delicately ribbed
mouldings, until it forms the basement under the floor. The whole is
crowned with a dome of stone work, at about eight feet from the base,
supported on six narrow pointed arches, rising from pillars similar to
the mullions of the windows. One of the remaining sides of the octagon
is a solid blank wall, and the other contains the door. The roof within
is vaulted on eight delicate ribs springing out of the wall, and adorned
at their intersection in the centre, by a boss representing an open
flower, on which is displayed a delicate sculpture of the crucifixion.
The spaces between the divisions of the three northern arches, are filled
up four feet above the base, with stone panels, over which they are
entirely open, and the light thus introduced is productive of a beautiful
effect. On the centre panel is a rich piece of sculpture designed to
represent the annunciation. The right hand panel bears the images of St.
Peter and St. Paul; that on the left St. Wenefrede and the abbot Beuno.
The architecture of this interesting structure is referred to the time of
Henry VIII. Much conjecture has arisen among antiquaries respecting its
probable use, but there can be little doubt that it originally projected
from the wall of the refectory, and was used as a pulpit, from which one
Public-domain text, read in full here on John Shaqi.
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