This venerable edifice exhibits various styles of architecture: the
Anglo-Norman of the 12th century in the basement of the nave and most of
the doors; the lancet style of the 13th century, in the chancel and
transept, and the obtuse arch of the 15th century in the side aisles and
chapels. The basement of the tower is of red sand stone, and the upper
portion of grey, and in the Anglo-Norman and early pointed styles of
architecture. The dimensions of the church are—length from east to west
160 feet—breadth of nave and side aisles 53 feet—transept 90 feet, and
height of tower and steeple 223 feet; the height of the steeple from the
bed of the river 300 feet. The beautifully proportioned octagonal spire
which rises from a tower of noble proportions, is a conspicuous ornament
to the town, and is seen from the adjacent country to a considerable
distance. The nave and side aisles externally, in the pointed style of
the 15th century, are of the Grinshill free stone, and entered on the
north and south-west by beautiful semi-circular arches, adorned with
chevron, lozenged and foliated mouldings; the south-west porch is in the
Anglo-Norman style, having zigzag mouldings, issuing from clustered
columns, with foliated capitals. On each side is a small pointed window,
exhibiting specimens of the earliest rudiments of the millioned Gothic
architecture, in which has lately been placed some highly interesting
painted glass, of German execution, on which are depicted various
incidents, chiefly from the Apocrypha. A stone porch, entered by a
pointed arch, had recently been erected before the corresponding door on
the north side.
Public-domain text, read in full here on John Shaqi.
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