History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
All this seemed to me implicit in the _Apologia_. But if the use Newman
made of infallibility destroys the Protestant position, it no less
destroys the Catholic. For if you use infallibility as a technique for
getting dogmas into a form in which they are easy to forget, you reduce
the Church from a repository of truth to a mere political institution.
When dogma is removed from discussion, religious truth becomes
irrelevant to life as it is commonly lived. The Church, therefore, can
touch life only through its political and organizing power, just as any
human institution touches life. It no longer touches it through the
divinely inspiring quality of its thought. Intellectually the Church
will only appeal to those cowed minds which have no critical power
and demand absolutism in thought. Spiritually it will appeal only to
temperaments like Newman’s which crave a guarantor for their mystic
life. Politically it will appeal to the subtle who want power through
the devious control over human souls. To few other types will it appeal.
Newman unveils the true paradox of dogma. If, on the one hand, you
throw it open to individual judgment, you destroy it through the
futile wranglings of faith which can never be objectively solved.
If, on the other hand, you declare it infallible, you destroy it by
slowly sending it to oblivion. Infallibility gets rid of dogma just as
surely as does private judgment. Under the pretense of consolidating
the Church in its cosmic rôle, Newman, therefore, has really put it
in its proper parochial place as a pleasant grouping of souls who are
similarly affected by a collection of beautiful and vigorous poetic
ideas. Fundamentally, however, this grouping has no more universal
significance than any other, than a secret society or any religious
sect.
Thus Newman unconsciously anticipates the most modern realist agnostic.
For the latter would agree that to relegate dogma to the storage-vault
of infallibility is exactly what ought to be done with dogma. At such
an infallible as Newman pictures no modern radical need balk. Newman’s
argument means little more than that infallibility is merely the
politest way of sending an idea to Nirvana. What more can the liberal
ask who is finished with theology and all its works? He can accept
this infallible in even another sense. For there is not a single
Christian doctrine in which he does not feel a kind of wild accuracy.
Every Christian dogma has a poetic vigor about it which might just as
well be called “true” because to deny its metaphorical power would
certainly be to utter an untruth. Indeed is not poetry the only “truth”
that can be called infallible? For scientific truth is constantly being
developed, revised, re-applied. It is only poetry that can think in
terms of absolutes. Science cannot because it is experimental. But
poetry may, because each soul draws its own meaning from the words. And
dogma is poetry.
Public-domain text, read in full here on John Shaqi.
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