History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
We are not dealing with static factors, but with fluid and dynamic
generations. To contrast the older and the newer immigrants and see
the one class as democratically motivated by love of liberty, and
the other by mere money-getting, is not to illuminate the future. To
think of earlier nationalities as culturally assimilated to America,
while we picture the later as a sodden and resistive mass, makes
only for bitterness and misunderstanding. There may be a difference
between these earlier and these later stocks, but it lies neither
in motive for coming nor in strength of cultural allegiance to the
homeland. The truth is that no more tenacious cultural allegiance to
the mother country has been shown by any alien nation than by the
ruling class of Anglo-Saxon descendants in these American States.
English snobberies, English religion, English literary styles, English
literary reverences and canons, English ethics, English superiorities,
have been the cultural food that we have drunk in from our mothers’
breasts. The distinctively American spirit--pioneer, as distinguished
from the reminiscently English--that appears in Whitman and Emerson
and James, has had to exist on sufferance alongside of this other
cult, unconsciously belittled by our cultural makers of opinion. No
country has perhaps had so great indigenous genius which had so little
influence on the country’s traditions and expressions. The unpopular
and dreaded German-American of the present day is a beginning amateur
in comparison with those foolish Anglophiles of Boston and New York
and Philadelphia whose reversion to cultural type sees uncritically
in England’s cause the cause of Civilization, and, under the guise of
ethical independence of thought, carries along European traditions
which are no more “American” than the German categories themselves.
Public-domain text, read in full here on John Shaqi.
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