History of a literary radical, and other essaysBourne, Randolph Silliman
General
History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
by it, sent only feeble currents of air up to the little registers that
opened into the vast rooms above. And always, the year round, there was
that musty dining-room to descend into three times a day, with its old
frayed chairs, its uncertain carpet, its stained brown walls.
Nor did the creatures who inhabited the basement attract him. Annie
changed her guise, but not her nature. And she scarcely changed her
guise. If his mother had ever had a servant in the back-street,
Gilbert did not remember it. But in Garna’s house one naturally had a
servant, and one naturally had a Polish girl. Gilbert did not at first
understand what Annie was doing in the kitchen, this queer, whitish
young woman with many skirts and vast breasts, who gave a sort of
growl-smile when you spoke to her, and always started incontinently,
with alacrity, to do something without knowing what it was. Gilbert
would come in from the garden into the fragrant kitchen on baking-day
to look for cookies, and find his mother moving about, with her
serious, anxious expression, while Annie sprawled about, cutting up
potatoes, and listening to his mother’s earnest expostulations. In
a few months there would be another Annie; her mouth was perhaps
crookeder and her hair yellower, but she would plunge clumsily about
in the same old way, and would take up her education not where the
other Annie had left off, but precisely in that brutish ignorance where
she had begun. To Gilbert’s mother, the living and successive tissue
of Annies became the absorption of life, but Gilbert was not absorbed
in Annies. They were not pretty, and they had a stale odor which
Gilbert avoided when he could. He associated the unpleasantness of
this strong, docile creature, who relapsed in each transformation to
her original brutish ignorance, with the whole unpleasantness of that
downstairs floor, the dining-room which remained always the same, whose
dull squalor nobody ever did anything to take away, for which Gilbert
could not do anything, and for which perhaps nothing could be done.
Upstairs, Gilbert liked Garna’s house better. The front parlor was a
vast and cavernous room, the mysteries of which Gilbert penetrated
only slowly. The back parlor was much more comprehensible. Here the
sun shone in, and people sat and lived. When you entered the front
parlor, you involuntarily lowered your voice, and you moved around
subdued, as if someone had died there. Garna never opened the windows,
and the shutters of the bay which looked towards the east were always
kept tightly closed. But in the back parlor on bright winter days you
sent the shade flying up to the top, and let the sun stream in over
the floor all the way to the monster of a horsehair-covered sofa which
stretched along the wall.
Public-domain text, read in full here on John Shaqi.
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