History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
Horsehair made you feel almost as puckery as matting to touch it, and,
besides, you could not climb up its slippery edges very easily. And
once you were perched up there, you began to slide and slide until you
would fall in a heap ignominiously off that ungainly and inhospitable
bulk of a sofa. So you would go over and sit at Garna’s feet, as she
rocked slowly in her great chair, which you must never tip too far
back for fear of the grand-father’s clock that stood in the corner
behind it. The clock had a loud and lovely bell which struck the hours.
Gilbert could always tell when it was going to strike, for a minute
or two before the hour there was a sharp click. Then a little later
would begin a vast rumbling from the very chest of the old clock,
as if it were taking a long, deep breath for its pealing song. When
Gilbert was in the room, he always stopped and listened for the whole
long satisfactory performance. It was slow, it was prepared, it was
beautiful, and when Garna got a clock for the dining-room which rattled
off a quick little tinkle of a stroke, Gilbert despised it, and would
have covered his ears if he had not thought it would be silly.
Upstairs the rooms were just as vast. There was Mother’s room, into
which the sunlight poured, and which was the warmest in winter,
though you took turns rushing to the register to dress where it was
warm, before washing in the cold water of the wash-bowl. Just off from
Mother’s room was a little room, with nothing in it but a huge bed,
where Olga and Gilbert slept, and a dresser, in which Gilbert’s clothes
were kept. On the wall were two old pictures, one representing a donkey
in the midst of illimitable and ineffable summer pastures, and marked,
“Everything Lovely,” the other showing him in the blizzard before a
locked stabledoor, with “Nobody loves me!” Against the tall window,
at the foot of the bed, were rows and rows of shelves, on which stood
flower-pots all winter long, geraniums and begonias, and heliotrope
plants, so that they could catch the full warmth of the winter sun
and keep green for summer, when Mother took them out of the pots and
put them in rows in the garden again. The window was almost smothered
in rich greenery, and sometimes when Gilbert would wake up early on a
winter morning, when the light was just beginning to come through the
leaves, he would find that the shelves had become a black silhouetted
tracery of amazing figures. Queer outlandish heads,--fierce dragomans
with pipes in their mouths, Chinamen with queues, policemen with round
helmets, or animals such as Gilbert had seen at the Zoo--camels with
misshapen humps, elephants with long trunks, the head of a lion. It was
very startling to wake up, lying on one’s back and gazing out where
this faint light appeared in the crevices between these weird figures.
The pleasant green plants with which they had gone to bed had given
place to queer apparitions. Yet they must be plants. But how could
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