History of a literary radical, and other essays — John Shaqi
History of a literary radical, and other essaysBourne, Randolph Silliman
General
History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
What was that desire? It was for a new fellowship in the youth of
America as the principle of a great and revolutionary departure in our
life, a league of youth, one might call it, consciously framed with
the purpose of creating, out of the blind chaos of American society,
a fine, free, articulate cultural order. That, as it seems to me, was
the dominant theme of all his effort, the positive theme to which he
always returned from his thrilling forays into the fields of education
and politics, philosophy and sociology. One finds it at the beginning
of his career in such essays as “Our Cultural Humility,” one finds it
at the end in the “History of a Literary Radical.” One finds it in that
pacifism which he pursued with such an obstinate and lonely courage and
which was the logical outcome of the checking and thwarting of those
currents of thought and feeling in which he had invested the whole
passion of his life. _Place aux jeunes_ might have been his motto: he
seemed indeed the flying wedge of the younger generation itself.
I shall never forget my first meeting with him, that odd little
apparition with his vibrant eyes, his quick, birdlike steps and the
long black student’s cape he had brought back with him from Paris.
It was in November, 1914, and we never imagined then that the war
was going to be more than a slash, however deep, across the face of
civilization, we never imagined it was going to plough on and on until
it had uprooted and turned under the soil so many green shoots of
hope and desire in the young world. Bourne had published that radiant
book of essays on the Adventure of Life, the Two Generations, the
Excitement of Friendship, with its happy and confident suggestion of
the present as a sort of transparent veil hung up against the window of
some dazzling future, he had had his wanderyear abroad, and had come
home with that indescribable air of the scholar-gypsy, his sensibility
fresh, clairvoyant, matutinal, a philosopher of the _gaya scienza_,
his hammer poised over the rock of American philistinism, with never
a doubt in his heart of the waters of youth imprisoned there. One
divined him in a moment, the fine, mettlesome temper of his intellect,
his curiosity, his acutely critical self-consciousness, his aesthetic
flair, his delicate sense of personal relationships, his toughness
of fiber, his masterly powers of assimilation, his grasp of reality,
his burning convictions, his beautifully precise desires. Here was
Emerson’s “American scholar” at last, but radiating an infinitely
warmer, profaner, more companionable influence than Emerson had ever
dreamed of, an influence that savored rather of Whitman and William
James. He was the new America incarnate, with that stamp of a sort of
permanent youthfulness on his queer, twisted, appealing face. You felt
that in him the new America had suddenly found itself and was all astir
with the excitement of its first maturity.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account