The Niobids 331, 332 Praxiteles 333 The Scholars of Scopas and Praxiteles. The Sculptures of the Mausoleum of Halicarnassos 334 The Hermes of Olympia 335, 336 The Venus of Melos 338, 339 Silanion and Euphranor 340 Lysippos 340-344 The School of Lysippos 344, 345 The Sculpture of the Hellenistic Period 346, 347 The Altar at Pergamon 347, 348 The so-called Dying Gladiator 348, 349 The School of Pergamon 349, 350 The School of Rhodes. The Laocoon 351-353 The Farnese Bull 353-355 The Apollo Belvedere 356-358 The Introduction of Greek Sculpture into Rome 358-360 The Borghese Gladiator 361 The Belvedere Torso 362 The Hellenic Renaissance in Rome 363-366 PAINTING. Lack of all Remains 366 Its Early Development Fictitiously Related by Pliny. Eumaros. Kimon 367 Polygnotos 368, 369 The Scenography of Agatharchos. Of Apollodoros 370 Zeuxis 371, 372 Parrhasios 373, 374 Timanthes 374 The School of Sikyon: Eupompos, Pamphilos 375 Melanthios. Pausias 376 The School of Thebes and Athens: Nicomachos, Aristides, Euphranor 377, 378 Nikias 378 Apelles 379-382 Protogenes 383 Antiphilos. Ætion. Asclepiodoros. Theon 384 Hellenistic Painting. Timomachos 385 Trivial and Obscene Subjects. Mosaic. Sosos 386 ETRURIA. Relationship to the Arts of Greece 387 ARCHITECTURE. The so-called Cyclopean Walls. Arched Gates 388 Vaulted Canals 389 Cemeteries. Tumuli. The Tomb of Porsena 390 Imitations of Dwellings upon Tombs 391, 392 Grotto Sepulchres 392 Imitations of Temple Façades upon Cliffs 393, 394 Norchia 394, 395 The Etruscan Temple 396, 397 The Dwelling-house 397 Its Court 398, 399