History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Numerous examples have been found of handles of amphorae, in which the
celebrated wine of Thasos was exported to places such as Thasos and
Olbia. The stamps are nearly square, with a device in the middle, the
inscription [ΘΑΣΙΩΝ], and the name of an official. The names are
usually in the nominative, but in one instance at least the genitive is
used. The symbols include an amphora, kneeling archer, cornucopia,
dolphin, etc. (Fig. 24).[527] The known stamps of Paros are few in
number; they are simply inscribed [ΠΑΡΙΩΝ], which in one instance is
written retrograde.[528]
Handles inscribed with the name of an aedile (ἀστυνόμος) and of another
person, probably a magistrate, have been found on various sites in the
Crimea and Southern Russia, principally at Olbia. At Panticapaeum
(Kertch) two amphorae were found with stamps across the neck, thus:
EUARCHO EPI KALLIA
ARISTON EOPAMONOS
the upper name being that of the magistrate.[529] These vases appear to
have been made on the spot.
[Illustration:
From _Dumont_.
FIG. 24. AMPHORA-STAMPS FROM THASOS.
]
Stoddart also mentions amphora-handles as having come from
Corinth,[530] with names which can be traced to the time of the Roman
dominion. Falkner found at Pompeii an amphora with a Greek inscription
of three lines painted in red and black, with the name of Menodotos and
the letters KOR. OPT., which _may_ mean “the best Corcyraean
brand.”[531] A bibliography of the subject is appended below.[532]
Among painted vases the amphora holds a high place, especially in the
black-figure period, during which it was most prominent. It is
distinguished from the plain type, as already pointed out, by the
proportions of the body, as well as by the graceful curve of the
handles and the flat circular foot. The variations in its form at
different places and periods are so marked that they have led to the
adoption of qualifying adjectives for each kind. Although these names
cannot now be accepted in a strict sense, they are sometimes useful as
conventional expressions. We proceed to describe these in detail.
Public-domain text, read in full here on John Shaqi.
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