(1) The origin of the Greek amphora is clearly to be sought in the pithos of primitive times, as may be seen in the vases of the Melian and Proto-Attic classes, and in the early vases with reliefs from Boeotia, Crete, Thera, and elsewhere. It is not found in the Mycenaean style, the large vases of which come under the heading of the krater (see below); and its appearance in Greece dates from the developed stage of the Geometrical period. The earliest specimens among the painted vases are virtually small pithoi, characterised by a long cylindrical neck, and large elaborate handles obviously imitating metal (see p. 495). Of this type are several of the Boeotian Geometrical and Proto-Attic vases discussed in Chapter VII.,[533] and the Boeotian vases with reliefs.[534] Among the Proto-Attic vases found at Vourva a development occurs, in which the neck is greatly elongated, and the body becomes exceedingly slim, while the handles are simplified into plain flat bands united to the neck by bars of clay (see Fig. 89, p. 299). This form is found still further developed in the prothesis-amphorae of the B.F. period[535]; but these are comparatively rare, and the more normal evolution of the amphora with cylindrical neck is to be traced in the varieties (2) and (6) described below. [Illustration: FIG. 25. “TYRRHENIAN” AMPHORA.] (2) The early amphorae preceding the ordinary B.F. Athenian types were divided by Gerhard into two classes, “Egyptian” and “Tyrrhenian.”[536] He describes the former as a vase with tolerably pronounced curve of body, entirely covered with horizontal bands of figures; the latter as of similar form, but with decoration confined to a panel on either side. As regards shape, therefore, the two are actually one, and may be regarded as such for our present purpose; but it is curious to note that the particular class called “Egyptian” by Gerhard has since his time been generally known as “Tyrrhenian,” while his “Tyrrhenian” class has now received, from the peculiar mannerisms of the paintings, the name of “affected” vases.[537] At all events the word is convenient to adhere to for the description of this particular shape (Fig. 25), with its long, egg-shaped body, the vertical section of which is almost an ellipse, a shape common to all early B.F. fabrics—Athenian, Rhodian, Ionic, and Corinthian—but best illustrated by the “Corintho-Attic” class described by Thiersch.[538] It is seldom found in purely Attic examples, and disappears after the middle of the sixth century. [Illustration: FIG. 26. PANATHENAIC AMPHORA.]