History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
The ἡθμός, or strainer,[604] answers to the modern colander, and is
represented by a flat round vessel with long handle, of which some late
fictile examples exist.[605] It is mentioned among the vessels in the
Sigeian inscription,[606] but is there spelled ἡθμός. Most of the
existing specimens are of bronze. The ὁλκεῖον mentioned by
Athenaeus[607] appears to have been a bowl used for washing cups. The
σκάφη (“boat”) is a general term used in the classics for vessels of
varied import: basins, troughs, washing-tubs, bowls, etc.[608] It is
the name used in inscriptions relating to the Panathenaic festival to
describe the flat dishes or trays borne by the maidens who were called
Skaphephori in the procession, as represented on the Parthenon
frieze.[609] The diminutive form σκάφιον or σκαφεῖον also occurs, and
is identified with καλπίον. The ὅλμος, generally used to denote a
mortar,[610] also signified a bowl,[611] and had the special
signification of the hollow bowl in which the priestess of Apollo sat
when delivering oracles from the Delphic tripod. It may here be noted
that the word τρίπους appears to be used in ancient writers[612] not
only for the stand which supported the λέβης and other vessels, but for
a vessel itself when thus supported on three feet. Most of the existing
tripods are made of bronze,[613] but one or two fictile examples are
known, including a very remarkable one in Berlin,[614] found at
Tanagra, and covered with archaic paintings in the B.F. method.
On bathing and washing vessels our best authority is Pollux (x. 63); it
is not, however, likely that they were often of earthenware. The
ποδανιπτήρ at all events was of metal; it is often seen on R.F. vases
with the subject of Theseus killing Procrustes.[615] Large vessels,
resembling modern baths, were known by the names of πύελος: and
ἀσαμινθος[616]; the λουτήριον, or laver, on a high stem, is frequently
represented on South Italian vases,[617] but is a purely decorative
adjunct. It is there painted white to indicate marble.
The λεκάνη[618] should also perhaps be included here, as according to
the literary accounts it was a basin used for washing feet or clothes,
or for vomiting. It also served the purpose of a mortar, and was used
in the game of kottabos. A method of divination sometimes practised was
known as λεκανομαντεία and consisted in placing waxen images in a
lekane full of water, which became as it were animated and sank, thus
signifying the destruction of an enemy. In Pseudo-Callisthenes we read
how Nectanebos, the supposed father of Alexander, made use of this
procedure.[619]
[Illustration: FIG. 43. OINOCHOË (7TH CENTURY).]
The next series with which we have to deal is that of vases used for
pouring out wine and serving it at the table. They fall into two
classes: the wine-jug for pouring, and the ladle for filling it out of
the mixing-bowl. We begin with the series of wine-jugs, as being the
more important.
[Illustration: FIG. 44. OINOCHOË (5TH CENTURY).]
Public-domain text, read in full here on John Shaqi.
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