History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
A few forms of vases were exclusively devoted to feminine use. These
include the πυξίς, a cylindrical box with cover, in which jewellery or
other objects such as hair-pins, cosmetics, etc., might be kept for use
in the toilet (Fig. 60.). The painted examples of this form, which
nearly all belong to the later R.F. period, are usually decorated with
appropriate subjects, women at their toilet, preparations for weddings,
etc. The σμηματοθήκη, or soap-box, served similar purposes.[725] It
seems to be represented by a form of vase of which the British Museum
possesses a specimen (without figure decoration), with cover and high
stem, but no handle except the knob on the cover. It is intermediate in
form between the pyxis and the so-called λεπαστή (p. 165), and
sometimes appears in toilet and other scenes.[726] A rare form, found
almost exclusively in the R.F. period,[727] consisting of a globular
vase with vertical looped handles on a high stem, has been variously
named, but the latest theory is that it represents a λέβης
γαμικός.[728] It contained lustral water, and is usually decorated with
bridal scenes. One is depicted in a toilet scene on a pyxis in the
British Museum.[729]
[Illustration: FIG. 61. EPINETRON OR ONOS.]
Lastly, a peculiar semi-cylindrical vessel, closed at one end and open
down the side (Fig. 61.), was for a long time a puzzle to
archaeologists, but its use was finally determined by its appearance in
a vase-painting.[730] It is there held by a seated woman, fitted over
her knee and thigh, and was used while spinning to pass the thread
over. The name of these objects is given by Pollux (vii. 32) as
ἐπίνητρον or ὄνος (“the donkey”). Several of them are painted with
spinning scenes, and the vase-painting alluded to above is curiously
enough on a vase of this form.
There is a type of vase, of which two or three varieties occur, which,
from its general likeness to a wine-skin, is usually styled =Askos=. It
does not, however, appear that there is any direct authority for this,
at least in literary records; where the word does occur, it always
denotes a leather skin, such as is sometimes depicted on the vases,
carried by a Seilenos or Satyr. It is, however, a convenient
expression, and there is no other recorded term which can on any
grounds be associated with this type.
[Illustration: FIG. 62. ASKOS.]
Public-domain text, read in full here on John Shaqi.
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