History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2) — John Shaqi
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Now, those who would pursue the study of a nation’s history cannot be
content with the mere perusal of such literary records as it may have
left behind. It needs brief consideration to realise that this leaves
us equipped with very little real knowledge of an ancient race,
inasmuch as the range of literature is necessarily limited, and deals
with only a few sides of the national character: its military history,
its political constitution, or its intellectual and philosophical
bent—in short, its external and public life alone. He who would
thoroughly investigate the history of a nation instinctively desires
something more; he will seek to gain a comprehensive acquaintance with
its social life, its religious beliefs, its artistic and intellectual
attainments, and generally to estimate the extent of its culture and
civilisation. But to do this it is necessary not only to be thoroughly
conversant with its literary and historical records, but to turn
attention also to its _monuments_. It need hardly be said that the word
“monument” is here used in the quasi-technical sense current among
archaeologists (witness the German use of the word _Denkmäler_), and
that it must bear here a much wider signification than is generally
accorded to it nowadays. It may, in fact, be applied to any object
which has come down to us as a memorial and evidence of a nation’s
productive capacity or as an illustration of its social or political
life. The student of antiquity can adopt no better motto than the
familiar line of Terence:
Homo sum; humani nihil a me alienum puto.
For the very humblest product of the human brain or hand, a potsherd or
a few letters scratched on a stone, may throw the most instructive
light on the history of a race.
In no instance is this better seen than in the case of Assyria, where
almost all that we know of that great and wonderful people is derived
from the cuneiform inscriptions scratched on tablets of baked clay. Or,
again, we may cite the stone and bronze implements of the primitive
peoples of Europe as another instance where “the weak and base things
of the world and the things that are despised” have thrown floods of
light on the condition of things in a period about which we should have
been completely in the dark so long as we looked only to literary
records for our information. Nothing is so common that it may be
overlooked, and we may learn more from a humble implement in daily use
than from the finest product of a poetic or artistic intellect, if we
are really desirous of obtaining an intimate acquaintance with the
domestic life of a people.
Public-domain text, read in full here on John Shaqi.
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