History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Of the prices paid for painted vases in ancient times, no positive
mention occurs in classical authorities, yet it is most probable that
vases of the best class, the products of eminent painters, obtained
considerable prices. For works of inferior merit only small sums were
paid, as will be seen by referring to the account of the inscriptions
which were incised underneath their feet, and gave their contemporary
value (Chapter XVII.). In modern times we have no information about the
prices paid for these works of art till about seventy years ago, when
they began to realise considerable sums. In this country the
collections of Mr. Towneley, Sir W. Hamilton, Lord Elgin, and Mr. Payne
Knight all contained painted vases; but as they included other objects,
it is difficult to determine the value placed on the vases. The sum of
£8,400 was paid for the vases of the Hamilton collection, one of the
most remarkable of the time, and consisting of many beautiful specimens
from Southern Italy. The great discoveries of the Prince of Canino in
1827, and the subsequent sale of numerous vases, gave them, however, a
definite market value, to which the sale of the collection of Baron
Durand, which consisted almost entirely of vases, affords some clue.
His collection sold in 1836 for 313,160 francs, or about £12,524. The
most valuable specimen in the collection was the vase representing the
death of Kroisos (Fig. 132), which was purchased for the Louvre at the
price of 6,600 francs, or £264. The cup with the subject of Arkesilaos
(p. 342) brought 1,050 francs, or £42. Another magnificent vase, now in
the Louvre, with the subject of the youthful Herakles strangling the
serpents,[70] was only secured for France after reaching the price of
6,000 francs, or £240; another, with the subject of Herakles,
Deianeira, and Hyllos,[71] was purchased for the sum of 3,550 francs,
or £142. A krater, with the subject of Akamas and Demophon bringing
back Aithra, was obtained by Magnoncourt for 4,250 francs, or £170.[72]
An amphora of the maker Exekias (B 210) was bought by the British
Museum for £142. The inferior vases of course realised much smaller
sums, varying from a few francs to a few pounds; but high prices
continued to be obtained, and the sale by the Prince of Canino in 1837
of some of his finest vases contributed to enrich the museums of
Europe, although, as many of the vases were bought in, it does not
afford a good criterion as to price. An oinochoë with Apollo and the
Muses, and a hydria, with the same subject, were bought in for 2,000
francs, or £80 each. A kylix, with a love scene, and another with Priam
redeeming Hektor’s corpse,[73] brought 6,600 francs, or £264. An
amphora with the subject of Dionysos, and the Euphronios cup with
Herakles and Geryon (Plate XXXVIII.), sold for 8,000 francs, or £320
each. A vase with the subject of Theseus seizing Korone (Chap. XIV.),
another by Euthymides with the arming of Paris, and a third with Peleus
Public-domain text, read in full here on John Shaqi.
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