History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
and Thetis, sold for 6,000 francs, or £240. The collector Steuart was
offered 7,500 francs, or £300, for a large krater, found in Southern
Italy, ornamented with the subject of Kadmos and the dragon; £120 was
paid by the British Museum for a fine krater ornamented with the
exploits of Achilles[74]; £100 for an amphora of Apulian style, with
the subject of Pelops and Oinomaos at the altar of the Olympian
Zeus.[75] For another vase, with the name of Mousaios, £120 was paid,
and £100 for the well-known Athenian prize vase excavated by
Burgon.[76] At Mr. Beckford’s sale the Duke of Hamilton gave £200 for a
lekythos representing a procession of Persians, which is now in the
British Museum (E 695). At Naples the passion for possessing fine vases
outstripped these prices; 2,400 ducats, or £500, was given for a vase
with gilded figures discovered at Capua. Still more incredible, early
in the nineteenth century, 8,000 ducats, or £1,500, was paid to
Vivenzio for the vase now in the Naples Museum representing the sack of
Troy; 6,000 ducats, or £1,000, for one with a Dionysiac feast; and
4,000 ducats, or £800, for the grand vase with the battle of the
Amazons, published by Schulz.[77] Another vase, for which the sum of
£1,000 was paid, was the so-called Capo di Monte Vase, purchased by Mr.
Edwards, at Naples.[78] For the large colossal vases of Southern Italy
from £300 to £500 has been given, according to their condition and
style. But such sums will not be hereafter realised, now that their
place in the estimation of the connoisseur has been rightly taken by
the fine red-figured or white ground vases, which, owing to the
stringency of modern laws, seldom now find their way into the market.
The vases with white grounds and polychrome figures have also been
always much sought after, and have realised large prices, the
best-preserved examples fetching as much as £70 or £100.[79] Generally
the highest prices have been paid for artistic merit, but these have
been surpassed in the case of some vases of high literary or historical
value. As a general rule vases with inscriptions have always been most
sought after, especially when the inscriptions are the signatures of
the names of potters or artists, or names of historical interest. The
inferior kinds have fetched prices much more moderate, the kylikes
averaging from £5 to £10, the amphorae from £10 to £20, the hydriae
about the same; the kraters from £5 to £20, according to their general
excellence, the oinochoae about £5, and other shapes from a few
shillings to a few pounds. The charming glaze and shapes of the vases
discovered at Nola have often obtained good prices from amateurs. Those
of Greece Proper have also fetched higher prices than those of Italy,
on account of the interest attached to the place of their discovery.[80]
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