_Dionysos_ is distinguished primarily by the ivy-wreath which crowns his head; he generally wears a long chiton and mantle, but on the latest vases is frequently nude. On all B.F. vases, and often on those of the R.F. period, he is bearded, and it is only on those of Southern Italy that he appears as a somewhat effeminate youth, half draped like Apollo, with rounded and graceful limbs. His attributes are the rhyton or keras (only on B.F. vases), the kantharos, a form of drinking-cup specially associated with him, a vine-branch, and the thyrsos; he is accompanied by panthers and other animals, or swings the limbs of a kid (χιμαιροφόνος). Usually he maintains a calm and unmoved attitude amid the wild revelries of his followers. _Ariadne_ is undistinguished except by her association with him. _Pan_, who only occurs on later vases, is almost invariably represented as a beardless youthful figure, with goat’s horns, but human legs; when, however, he has goat’s legs or feet, he is usually called Aegipan, and in this aspect he assumes a somewhat dwarfish and more bestial aspect.[1951] _Satyrs_ are either elderly and bearded, or youthful; in all cases with pointed ears and horses’ tails, and undraped except for the fawn-skins which they frequently wear. They carry a thyrsos, drinking-cups, or musical instruments, according to the circumstances in which they are depicted. In Ionic art (Vol. I. p. 353 ff.) the Satyrs invariably have horses’ feet as well as tails, and are usually of repulsive appearance. The _Seileni_ are really aged Satyrs, depicted as bald or white-haired, but not otherwise differentiated, except in the case of _Papposeilenos_, who is covered with shaggy skin.[1952] The _Maenads_ are often represented (especially on B.F. vases) as ordinary draped women, or only with the addition of a fawn-skin or panther-skin over their chiton; they carry the _thyrsos_, or frequently on later vases a large tambourine (_tympanon_).