History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Of other mythological types the _Amazons_ are, of course, always armed,
frequently in the Oriental fashion, with Phrygian cap or _kidaris_ and
trousers; their weapons are the crescent-shaped shield or _pelta_, and
a peculiar type of battle-axe, the _sagaris_. The _Giants_ on B.F.
vases are ordinary armed warriors, not even of exceptional size, but in
later times they often end in serpents, as on the Pergamene frieze.
_Typhon_ appears in this form on a Chalcidian vase.[1962] _Geryon_ is
represented in the manner described by Pausanias (vi. 19, 1), as “three
men joined together,” with distinctive arms and legs; on Chalcidian
vases he has four wings, and is only triple from the waist upwards. The
_Centaurs_ on the more archaic vases, as on those of Ionia, appear as
men with the body and hind legs of a horse attached behind; by the
middle of the sixth century they appear in the familiar form of a human
bust conjoined with a horse’s body. The _Gorgons_ are always rendered
in grotesque fashion, with grinning faces and dishevelled hair
intertwined with serpents; they wear short girt chitons and high winged
boots, and have four wings, the upper pair recurved; usually on B.F.
vases they appear in what is known as “the archaic running attitude,”
or, as the Germans more expressively phrase it, “Knielaufschema,” the
figures being represented as if kneeling on one knee. The same
grotesque type of face,[1963] with the protruding tongue and teeth,
appertains to the Medusa’s head or Gorgoneion, which is at all periods
such a favourite decorative motive on vases, either as the interior
design of a B.F. kylix, or as a medallion in relief on late vases. The
more beautiful type of Medusa head is a creation of later date than
most of the painted vases, but in the medallions on Italian vases much
of the grotesqueness has disappeared.
Much confusion at one time existed between the conceptions of the
_Harpy_ and the _Siren_, both names being indiscriminately applied to
the female-headed bird so common on vases of all periods. But there is
ample evidence for the representation of the Harpy more in the style of
the Gorgons, as a purely feminine type, with the short chiton suited
for rapid movement, high boots, and wings, and often in the
conventional running attitude.[1964] In this form they appear in one
instance as feminine counterparts of the male Boreades.[1965] The Siren
types vary at different times, the earlier Sirens frequently having
human arms.[1966] The _Sphinx_ is always a woman-headed winged
four-footed beast; sometimes on Corinthian and Ionic vases she wears a
high head-dress. The _Gryphon_[1967] is a winged lion with eagle’s
beak, and often with erect ears; the winged _Pegasos_ and the
bull-headed _Minotaur_ require no description.
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