History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Turning now to personages concerned in events of every-day life, we
find great variety of costume and equipment, especially at different
periods and under different circumstances. The vases, in fact, may be
said to supply the most instructive _locus classicus_ for Greek dress
and ornament, as well as for minor details—such as weapons, implements,
and furniture—of which they provide contemporary illustrations.
_Kings_ are usually distinguished by dignified flowing robes, by the
wearing of a wreath or head-dress, or by the sceptre which they
hold.[1968] Oriental potentates wear the costume of their country, with
lofty ornamented tiaras, or the Persian _kidaris_ or _kyrbasia_—a
peaked cap decorated with fringes and lappets. Their dress is often
very elaborate on the later vases. _Actors_ and _musicians_ both wear
appropriate costumes. The former, who hardly occur except on the
Italian vases, wear the dress of the Old Comedy, with grotesque mask,
padded stomach, loose jerkin, and trousers.[1969] Tragic actors are
seldom represented; but it has already been pointed out[1970] that in
the setting of the mythological scenes on the vases of Southern Italy
there is an unmistakable reflection of the tragic stage, especially in
the elaborate and somewhat exaggerated details of costume. Musicians
invariably wear a long chiton, over which on R.F. vases they sometimes
wear a short loose garment called the ὀρθοστάδιον, embroidered with
patterns.[1971] There are also a few instances of male performers
(recognisable by their beards) in distinctively feminine costume.[1972]
Public-domain text, read in full here on John Shaqi.
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