History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
_Athletes_ are invariably nude when performing their exercises, except
in the case of the armed foot-race (see p. 164); in the torch-race they
seem to have worn high crowns; on the reverse of late R.F. vases they
appear inactive, wrapped in mantles and conversing in groups. _Hunters_
wear a distinctive costume of petasos and chlamys, and usually carry
two spears. Boys on horseback are usually represented nude, and on
Ionic vases have their hair tied in a tuft behind.[1973] _Charioteers_
are always attired in a long girt chiton reaching to the feet, which on
Attic B.F. vases is painted white. They usually hold a goad in the
right hand, the reins in the left. _Heralds_ wear the attributes of
Hermes—the petasos, caduceus, and high boots, with a chlamys or short
girt chiton. _Warriors_ on the early and B.F. vases are equipped in a
fashion which tallies to some extent with the descriptions of
Homer.[1974] Their armour usually consists of a crested Corinthian
helmet, a metal cuirass, under which is a short chiton, and greaves, to
which are sometimes added the thigh-coverings known as _parameridia_.
Some peculiarities may also be noted—such as the hooked projection on
the front of helmets on the Ionic vases of Daphnae and the Clazomenae
sarcophagi,[1975] the linen cuirasses (indicated by white paint)
sometimes worn on Attic B.F. vases,[1976] or the heavy helmets with
large cheek-pieces seen on the Caeretan hydriae (Plate XXVI.). The R.F.
vases often represent the fully armed Athenian hoplite equipped in the
same fashion as the B.F.; but in these, and more especially in the
Italian vases, there is a tendency to omit much of the defensive
armour. Cuirasses on R.F. vases are often decorated with patterns of
scales or panelling.[1977] Helmets on Italian vases often assume a
local character, with conical crowns and two or three lofty
plumes.[1978]
Public-domain text, read in full here on John Shaqi.
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