History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Most of the scenes in which he appears relate to his various love
adventures, among which the legends of Europa, Io, and Semele are the
most conspicuous; but first of his numerous _amours_ should perhaps be
mentioned his wooing of his consort Hera. He carries her off while
asleep from her nurse in Euboea,[75] and also appears to her in the
form of a cuckoo.[76] The rape of Ganymede by his eagle appears once or
twice on vases,[77] but more generally Zeus himself seizes the youth
while he is engaged in bowling a hoop or otherwise at play.[78] On a
fine late vase with Latin inscriptions Ganymede appears in Olympos,[79]
and he is also depicted as a shepherd.[80]
Semele Zeus pursues and slays with the thunderbolt[81]; the birth of
her son Dionysos from his thigh is represented but rarely on vases, and
is liable to confusion with other subjects. This story falls into three
episodes: (1) the reception of the infant by Hermes from Dirke, in
order to be sewn into Zeus’ thigh[82]; (2) the actual birth scene[83];
(3) the handing over of the child to the Nymphs.[84] Of his visit to
Alkmena there are no certain representations, but two comic scenes on
South Italian vases[85] may possibly refer to it, and one of them at
least seems to be influenced by the burlesque by Rhinton, from which
Plautus borrowed the idea of his _Amphitruo_. The apotheosis of
Alkmena, when her husband places her on a funeral pyre after
discovering her misdeed, is represented on two fine South Italian vases
in the British Museum; in one case Zeus looks on.[86] His appearing to
Leda in the form of a swan only seems to find one illustration on a
vase, but in one case he is present at the scene of Leda with the
egg.[87]
He is also depicted descending in a shower of gold on Danaë[88]; or as
carrying off the Nymphs Aegina and Thaleia[89]; or, again, with an
unknown Nymph, perhaps Taygeta.[90] In the form of a bull, on which
Europa rides, he provides a very favourite subject, of which some fine
specimens exist.[91] One variation of the type is found on an Apulian
vase, where Europa advances to caress the bull sent by Zeus to fetch
her.[92] The story of Io[93] resolves itself into several scenes, all
of which find illustration on the vases: (1) the meeting of Io and Zeus
when she rests at the shrine of Artemis after her wanderings[94]; (2)
Io in the form of a cow, guarded by Argos[95]; (3) the appearance of
her deliverer Hermes[96]; (4) Hermes attacks and slays Argos (Fig.
114).[97]
[Illustration:
From _Wiener Vorlegeblätter_.
FIG. 114. HERMES SLAYING ARGOS IN PRESENCE OF ZEUS (VASE AT VIENNA).]
]
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