History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2) — John Shaqi
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
=Ares=, in the few instances in which he appears on vases, is generally
in a subordinate position; he is a spectator at the birth of
Athena[407]; and appears twice on the François vase, at the wedding of
Peleus and Thetis, and again in an attitude of shame and humility, to
indicate the part he played in the story of Hephaistos and Hera; of his
combat with the former god mention has already been made (p. 16). In
the Gigantomachia his opponent is Mimas, with whom he also appears in
single combat[408]; and he aids his son Kyknos against Herakles and
Athena.[409] He is seen in several of the large groups of Olympian
deities,[410] or in smaller groups, _e.g._ with Poseidon and
Hermes,[411] with Apollo, Artemis, and Leto,[412] or with Athena[413]
or his spouse Aphrodite[414]; also with Dionysos, Ariadne, and
Nereus.[415] He also receives a libation from Hebe.[416] He is seen at
the birth of Pandora,[417] the punishment of Ixion,[418] the slaying of
the Niobids,[419] the apotheosis of Herakles,[420] and the contest of
that hero with the Nemean lion.[421] In some cases his type is not to
be distinguished from that of an ordinary warrior or hero, as in one
case where he or a warrior is seen between two women.[422]
* * * * *
=Aphrodite= seldom appears as a protagonist on vases, and in fact plays
a small personal part in mythology. Apart from scenes of a fanciful
nature she is usually a mere spectator of events; but as she is not
often characterised by any distinctive attribute, there is in many
cases considerable difficulty in identifying her personality. This is
especially the case on B.F. vases, on which her appearances are
comparatively rare. One vase represents her at the moment of her birth
from the sea in the presence of Eros and Peitho[423]; she also appears
(on late vases only) with Adonis,[424] embracing him, and in two
instances mourning for him after his death[425]; but caution must be
exercised in most cases in identifying this subject, which is but
little differentiated from ordinary love scenes. One scene apparently
represents Zeus deciding a dispute between her and Persephone over
Adonis.[426]
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