(1) Munich 849 = _Wiener Vorl._ E. pl. 1 = Reinach, i. 258 (2) Naples 3222 = ” pl. 2 = ” i. 167 (3) Karlsruhe 388 = ” pl. 3, 1 = ” i. 108 (4) Naples S.A. 709 = ” pl. 3, 2 = ” i. 455 (5) Petersburg 424 = ” pls. 4 and 5, 1 = ” i. 355 (6) Petersburg 426 = ” pl. 6, 2 = ” i. 479 No. (1) is reproduced in Plate LII. On a smaller scale, or fragmentary, are the following:— (7) Petersburg 498 = _Wiener Vorl._ E. pl. 5, 2 (8) B.M. F 270 = ” pl. 6, 1 = Reinach, i. 356 (9) Karlsruhe 256 = ” pl. 6, 3 = ” i. 455 (10) Jatta Coll. 1094 = ” pl. 6, 4 = ” i. 356 (11) Naples S.A. 11 = ” pl. 6, 5 = ” i. 401 There are also three B.F. vases having reference to the under-world, though in the first two cases it is probable that the scene relates to the return of Persephone (see p. 28), the accompanying figure of Sisyphos only being introduced to mark the locality:— (12) B.M. B 261 (Hades, Persephone, Hermes, Sisyphos). (13) Munich 728 = _Wiener Vorl._ E. pl. 6, 6 = Reinach, ii. 48 (similar scene). (14) Berlin 1844 (Persephone and Sisyphos only). On the Apulian vases there is usually in the centre a pillared building representing the palace of Hades, in which he and his spouse stand or sit; round this are grouped various figures and episodes connected with the nether regions: Herakles carrying off Kerberos[829]; Orpheus with his lyre, sometimes accompanied by Eurydike[830]; persons undergoing punishment, such as Sisyphos with his rock[831]; Tantalos threatened with a rock, not as in the usual legend suffering from thirst[832]; the Danaids with their hydriae[833]; and Theseus and Peirithoös sitting with their hands bound behind them.[834] In one instance a Fury, at the instance of Hades and Hekate, is binding one, the other having already entered on his punishment[835]; in another we see Theseus liberated and about to depart from his friend (see below, p. 111).[836]