History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Among the administrators of these penalties are Aiakos, Minos, and
Rhadamanthos, the judges of the souls[837]; the Erinnyes or
Furies[838]; and allegorical personages, such as Dike (Justice),[839]
Ananke (Necessity),[840] or Poinae (Punishments).[841] Of the Chthonian
deities, Hermes,[842] Hekate,[843] Triptolemos,[844] and Iacchos[845]
are present. Olympian deities are also sometimes introduced as
spectators.[846] Other figures introduced are Megara with the two
children of Herakles[847]; Pelops with Myrtilos and Hippodameia[848]; a
group of the Blessed Shades[849]; and (but not on this class of vase)
Oknos with his ass, a subject depicted by Polygnotos in his great
fresco at Delphi.[850] The subject of Ixion on the wheel is usually
found by itself, but occurs on the neck of one of the Apulian
vases.[851]
Another subject which may be associated with the above scenes is that
of _Charon_ and his bark; on the vases, however, its significance is
purely sepulchral, as it is confined to the Attic white lekythi (Vol.
I. p. 459), on some of which the dead man is represented entering the
ferry-boat.[852] Some vases of Etruscan fabric also represent groups of
Chthonian deities, especially Charon, who in the mythology of that
people is no longer “the grim ferryman that poets write of,” but
_Charun_, a hideous demon wielding a huge hammer.[853] In one instance
he separates Alkestis from Admetos[854]; in another he watches Ajax
stabbing a captive Trojan.[855]
[Illustration:
From _Baumeister_.
FIG. 122. CHARON’S BARK (LEKYTHOS AT MUNICH).
]
The _Erinnyes_ or Furies play an important part in the nether-world
scenes,[856] and one is also represented at the punishment of
Ixion.[857] They pursue Orestes after the slaughter of his mother and
Aigisthos to Delphi and Tauris,[858] and even when with Pylades he
comes to make himself known to Electra.[859] Among other mythological
scenes they are found at the combat of Herakles and Kyknos[860]; with
Pelops,[861] and with Medeia and Jason[862]; and threatening with
punishment the hero Agrios, who is seized and bound upon an altar by
Oineus and Diomedes.[863] _Kerberos_ is once seen without Herakles in
the under-world vases[864]; and there is a very curious representation
of his being chained up by Hermes.[865]
_Hekate_ as a Chthonian deity frequently appears on the under-world
vases[866]; she is also connected with Eleusinian scenes and
legends,[867] such as the sending of Triptolemos,[868] the birth of
Dionysos or Iacchos,[869] or with the rape and return of
Persephone.[870] She appears also as a single figure.[871] Allusion has
already been made to the Chthonian associations of Hermes, Triptolemos,
and Iacchos (pp. 27, 52).
[Illustration: FIG. 123. THANATOS AND HYPNOS WITH BODY OF WARRIOR (FROM
BRIT. MUS. D 58).]
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