History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
=Hemera=, the Day, we have already once noted; but in art she is hardly
to be distinguished from Eos (Dawn). Nor can Nyx (Night) be identified
with certainty on vases.[957] =Eos= is not an uncommon figure,
especially on R.F. vases, and she also plays a part in certain myths.
As a single figure she appears rising from the sea in, or driving, a
four-horse chariot like Helios,[958] her steeds in one case being named
Phlegethon and Lampon. She is also represented flying with two hydriae,
from which she pours out dew upon the earth.[959] She is frequently
seen pursuing or carrying Kephalos[960] or Tithonos,[961] and is
present at the apotheosis of Alkmena.[962] At the combat of her son
Memnon with Achilles she and the other mother, Thetis, are generally
present.[963] She also pleads with Zeus for her son’s safety,[964] and
bears away his body after the fatal issue of the fight.[965]
Next we have to deal with =the Winds=, as personified by the figures of
Boreas, Zephyros, etc. As single figures they seldom appear, though we
have possible instances of _Boreas_, with the unusual type of a
serpent’s tail,[966] or simply as a winged male figure.[967] A wind-god
is seen in an episode from the Gigantomachia opposing the chariot of
Zeus,[968] and another in an assemblage of deities round Apollo
Kitharoidos.[969] _Zephyros_ is seen pursuing Hyakinthos,[970] and he
and Boreas together bear the body of a warrior to the tomb in the same
manner as Hypnos and Thanatos.[971] But the most important subject
connected with Boreas is his pursuit of the Athenian maiden Oreithyia,
a frequent scene on the later R.F. vases,[972] some being very fine
examples. Erechtheus, Kekrops, and the Nymphs Aglauros, Herse, and
Pandrosos, are usually present, and the latter in one case announce the
news to Kekrops or Erechtheus.[973] Boreas is also depicted in the act
of punishing Phineus by blinding him, and attacked by the latter’s
friend Parebios.[974]
On some early B.F. vases we find winged beings which may be styled
_Boreades_, in conjunction with Harpies, apparently representing the
influences of good and evil winds respectively.[975] Zetes and Kalais,
the sons of Boreas, will be treated of in the story of the
Argonautika.[976] The _Aurae_ or breezes have been identified on a
well-known vase in the British Museum,[977] and on an Apulian vase in
the same collection is a head undoubtedly intended for Aura.[978] The
_Hyades_ or rain-goddesses in two instances extinguish the flames of a
funeral pyre at the bidding of Zeus, at the apotheosis of Alkmena[979]
and of Herakles[980]; in one of the latter instances they are named
Arethusa and Premnusia. They also receive the infant Dionysos.[981]
_Echo_ belongs perhaps rather to the Dionysiac cycle, appearing as the
beloved of Pan.[982]
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account