History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
II. We may next consider the personifications of =cities and
countries=, which are, indeed, in some cases more than merely
symbolical figures, being actual goddesses with a definite cult, such
as the Nymph Kyrene, who often appears on works of art.[983] On the
great Naples vase representing Dareios in a council of war,
personifications of _Hellas_ and _Asia_ are placed among the
spectator-deities,[984] and the former seems also to be indicated on a
similar vase with a battle of Greeks and Persians.[985] On one of the
late vases with the subject of Pelops and Oinomaos, a personification
of the locality _Olympia_ appears to be similarly present,[986] just as
on the Hieron kotyle the personification of Eleusis is included among
the Eleusinian and other deities at the sending forth of
Triptolemos.[987] The city of _Thebes_ is personified in several
instances, especially as a spectator of Kadmos slaying the dragon[988];
also on a “Megarian” bowl with reliefs in the British Museum, the
subjects on which are taken from the _Phoenissae_ of Euripides.[989]
_Nemea_, the scene of Herakles’ victory over the lion, and of the death
of Archermos, is similarly personified as a Nymph in the
representations of both subjects,[990] and the town of _Krommyon_ as a
Nymph protests against the slaying of the sow by Theseus.[991] The
Nymph _Sparta_ occurs once, dismounting from her horse.[992] Two cups
of the early B.F. class usually known (from their subjects) as
Cyrenaic, bear representations of the Nymph _Kyrene_ (see above)—in one
case with Apollo, in the other holding a branch of silphium (the local
product) and surrounded by Boreads and Harpies (see above).[993]
Among the Greek islands, _Aegina_ and _Salamis_ were supposed to have
derived their names from Nymphs beloved of Zeus and Poseidon, who are
represented pursuing these quasi-personified figures[994]; we may also
regard Europa as coming under that category.[995] Zeus also pursues
_Taygeta_, who is connected with the mountain in Laconia.[996] On one
vase we find the names of the islands _Delos_, _Euboea_, and
_Lemnos_,[997] given, presumably in pure fancy, to two Maenads and a
Satyr in a Dionysiac scene where all the figures are named. A more
genuine instance is that of the Nymph _Krete_ on the Talos vase,
indicating the locality.[998]
Turning to other geographical features, we have Mount _Olympos_
transformed into a lyre-playing companion of Satyrs[999]; or, again,
river-gods such as _Acheloös_, who as a combination of man and bull, or
with a fish-body like Triton, wrestles with Herakles.[1000] The river
_Nile_ appears once, but not personified—only as an indication of
landscape.[1001] In connection with the city of Thebes we find
personifications of the local river _Ismenos_ and the local
fountain-Nymphs _Dirke_ and _Krenaia_.[1002]
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