The power of the microscope as an instrument of biological research was
in some measure revealed by Hooke's _Micrographia_ (1665). Robert
Hooke was a man of extraordinary ingenuity and scientific fertility, who
took a leading part in the early work of the Royal Society. He opens
his book with an account of the simple and the compound microscope of
his own day, and then goes on to explain, with the help of large and
elaborate engraved plates, the structure of a number of minute objects.
The most interesting are: A Foraminiferous shell, snow-crystals, a
thin section of cork showing its component cells, moulds, a bit of
Flustra, the under side of a nettle-leaf with its epidermic cells and
stinging-hairs, the structure of a feather, the foot of a fly, the
scales of a moth's wing, the eye of a fly, a gnat-larva, and a flea.
The beauty of the plates and the acuteness of some of the explanations
are remarkable, but lack of connection between the topics discussed
hinders the _Micrographia_ from rising to a very high scientific
level.
Swammerdam treated the microscope as an instrument of continuous
biological research. In his eyes it was a sacred duty to explore with
the utmost faithfulness the minute works of the Creator. Insects
yielded him an inexhaustible supply of natural contrivances, in which
closer scrutiny always brought to view still more exquisite adaptations
to the conditions of life. He was able to throw a beam of steady light
upon the perplexed question of insect-transformation, and swept from
his path the sophistries with which the philosophy of the schools had
obscured the change of the caterpillar into a moth, or of the tadpole
into a frog. He demonstrated the gradual progress of the apparently
sudden transformation of certain insects by dipping into boiling water
a full-fed caterpillar, and then exposing the parts of the moth or
butterfly, which had almost attained their complete form beneath the
larval skin; after this it was easy to discover the same parts in the
pupa.
Public-domain text, read in full here on John Shaqi.
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