not only were the figures embellished with fabulous additions, as in
the ‘Hortus Sanitatis,’ and sometimes drawn purely from fancy, but the
meagre descriptions of quite common plants were not taken from nature,
but borrowed from earlier authorities and eked out with superstitious
fictions. The powers of independent judgment were oppressed and stunted
in the middle ages, till at last the very activity of the senses,
resting as it does to a great extent on unconscious operations of
the understanding, became weak and sickly; natural objects presented
themselves to the eye even of those who made them their study in
grotesquely distorted forms; every sensuous impression was corrupted
and deformed by the influence of a superstitious fancy. In comparison
with these perversions the artless descriptions of Bock appear suitable
and true, and are refreshing from their immediate contact with nature;
while in the more learned Fuchs criticism of other writers is already
seen united with actual examination of natural objects. Great was the
gain when men began once more to look at plants with open eyes, to
take pleasure in their variety and beauty. It was not necessary for a
while that they should speculate on the nature of plants, or the cause
of plant-life; time enough for that when sufficient practice had been
gained in the perception of their resemblances and differences.
The German fathers of botany connected their labours with the
botanical literature of classical antiquity only so far as they
sought to recognise in the plants of their own country those named by
Theophrastus, Dioscorides, Pliny and Galen. The attempt to do this
indeed led to many mistakes, for the descriptions of the ancient
botanists were very imperfect and often quite unserviceable for the
recognition of the plants described. In this point therefore the
compilers of herbals found no models worthy of imitation in the old
writers. But in seeking to recover a knowledge of the medicinal plants
of the Greek physicians[4], they were compelled to compare together a
great variety of native plants, and thus to exercise and perfect the
faculty of apprehending differences of form. This mode of proceeding,
arising out of medical requirements, directed the attention entirely
to the individual form, which was also the chief thing required in the
interest of pure science, and much more was thus gained than if these
men had only followed the philosophical writings of Aristotle[5] and
Theophrastus[6]. The Greek authors built their views on the philosophy
of botany on very weak foundations; scarcely a plant was known to them
exactly in all its parts; they derived much of their knowledge from
the accounts of others, often from dealers in herbs. From this scanty
material and from various popular superstitions had Aristotle formed
his views on the nature of plants, and if Theophrastus possessed more
experimental knowledge, he still saw facts in the light of his master’s
philosophical doctrines.
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