This was the beginning of the pastoral or shepherd life. Each rancho was
miles in extent, its cattle and horses numbered by thousands. The homes
were generally built around a court into which all the rooms opened, and
were constructed of adobe bricks such as were used at the missions. In
the better class of homes several feet of the space in the courtyard
next the wall were covered with tile roofing, forming a shaded veranda,
where the family were accustomed to spend the leisure hours. Here they
received visitors, the men smoked their cigaritos, and the children made
merry. In the long summer evenings sweet strains of Spanish music from
violin and guitar filled the air, and the hard earthen floor of the
courtyard resounded to the tap-tap of high-heeled slippers, the swish of
silken skirts, and the jingle of silver spurs, as the young people took
part in the graceful Spanish dances.
It was no small matter to rule one of these great households. La Patrona
(the mistress) was generally the first one up. “Before the sun had
risen,” said a member of one of the old families, “while the linnets and
mocking birds were sounding their first notes, my mother would appear
at our bedside. ‘Up, muchachos, up, muchachas, and kneel for your Alba!’
The Alba was a beautiful prayer of thanksgiving for care during the
night, with a plea for help through the dangers and temptations of the
day. No excuse for lying abed was accepted; up, and on the floor we
knelt, then she passed on to where the mayordomo, or foreman, and his
men were gathering in the courtyard. Here, too, was the cook with the
Indian maids, busy making tortillas for the morning meal. ‘Your Albas,
my children,’ my mother would say in her clear, firm voice. Down would
drop mayordomo, vaqueros, cook, and Indian girls, all devoutly reciting
the morning prayer.
“After their prayer the children might, if they chose, return to their
beds, but before sleep could again overtake them there would probably
come from a distant room the voice of their aged grandfather asking them
questions from the Spanish catechism.
“‘Children, who made you?’ he would call in a quavering voice.
“A chorus of small voices would sing-song in response, ‘El Dios’ [God].
“Again he would question, ‘Children, who died for you?’
“Again the reply, ‘El Dios.’
“By the time the questions were all answered there was no chance for
more sleep.”
Public-domain text, read in full here on John Shaqi.
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