History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 2 (of 12)Maspero, G. (Gaston)
History
History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 2 (of 12)
Maspero, G. (Gaston)
Civilization, Ancient; Egypt -- History -- To 640 A.D.; History, Ancient; Middle East -- History
These are
truly anatomical monsters, and yet the appearance they present to us
is neither laughable nor grotesque. The defective limbs are so deftly
connected with those which are normal, that the whole becomes natural:
the correct and fictitious lines are so ingeniously blent together
that they seem to rise necessarily from each other. The actors in these
dramas are constructed in such a paradoxical fashion that they could not
exist in this world of ours; they live notwithstanding, in spite of the
ordinary laws of physiology, and to any one who will take the trouble to
regard them without prejudice, their strangeness will add a charm which
is lacking in works more conformable to nature. A layer of colour spread
over the whole heightens and completes them. This colouring is never
quite true to nature nor yet entirely false. It approaches reality as
far as possible, but without pretending to copy it in a servile way. The
water is always a uniform blue, or broken up by black zigzag lines; the
skin of the men is invariably brown, that of the women pale yellow.
[Illustration: 249.jpg BAS-RELIEF IN IVORY]
Drawn by Boudier, from a photograph by Bouriant. The
original is in private possession.
The shade befitting each being or object was taught in the workshops,
and once the receipt for it was drawn up, it was never varied in
application. The effect produced by these conventional colours, however,
was neither discordant nor jarring. The most brilliant colours were
placed alongside each other with extreme audacity, but with a perfect
knowledge of their mutual relations and combined effect. They do not
jar with, or exaggerate, or kill each other: they enhance each other’s
value, and by their contact give rise to half-shades which harmonize
with them. The sepulchral chapels, in cases where their decoration had
been completed, and where they have reached us intact, appear to us as
chambers hung with beautifully luminous and interesting tapestry, in
which rest ought to be pleasant during the heat of the day to the soul
which dwells within them, and to the friends who come there to hold
intercourse with the dead.
Public-domain text, read in full here on John Shaqi.
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