Drawn by Boudier, from Layard. The pointed mound on the left near the centre of the picture represents the ziggurat of the great temple. He found what he required close at hand in the half-ruined city of Calah, where many of his most illustrious predecessors had in times past sought refuge from the heat of Assur. It was now merely an obscure and sleepy town about twelve miles south of Nineveh, on the right bank of the Tigris, and almost at the angle made by the junction of this river with the Greater Zab. The place contained a palace built by Shalmaneser I., which, owing to many years' neglect, had become uninhabitable. Assur-nazir-pal not only razed to the ground the palaces and temples, but also levelled the mound on which they had been built; he then cleared away the soil down to the water level, and threw up an immense and almost rectangular terrace on which to lay out his new buildings. [Illustration: 068.jpg STELE OF ASSUR-NAZIR-PAL AT CALAH] Drawn by Faucher-Gudin, from a photograph by Mansell. The king chose Ninip, the god of war, as the patron of the city, and dedicated to him, at the north-west corner of the terrace, a ziggurat with its usual temple precincts. Here the god was represented as a bull with a man's head and bust in gilded alabaster, and two yearly feasts were instituted in his honour, one in the month Sebat, the other in the month Ulul. The ziggurat was a little over two hundred feet high, and was probably built in seven stages, of which only one now remains intact: around it are found several independent series of chambers and passages, which may have been parts of other temples, but it is now impossible to say which belonged to the local Belit, which to Sin, to Gula, to Ramman, or to the ancient deity Ra. At the entrance to the largest chamber, on a rectangular pedestal, stood a stele with rounded top, after the Egyptian fashion. On it is depicted a figure of the king, standing erect and facing to the left of the spectator; he holds his mace at his side, his right hand is raised in the attitude of adoration, and above him, on the left upper edge of the stele, are grouped the five signs of the planets; at the base of the stele stands an altar with a triangular pedestal and circular slab ready for the offerings to be presented to the royal founder by priests or people. The palace extended along the south side of the terrace facing the town, and with the river in its rear; it covered a space one hundred and thirty-one yards in length and a hundred and nine in breadth. In the centre was a large court, surrounded by seven or eight spacious halls, appropriated to state functions; between these and the court were many rooms of different sizes, forming the offices and private apartments of the royal house. The whole palace was built of brick faced with stone. Three gateways, flanked by winged, human-headed bulls, afforded access to the largest apartment, the hall of audience, where the king received his