The officers in command, after having admired the rock-cut chapel of Ramses II., left in it a memento of their visit in a fine inscription cut on the right leg of one of the colossi. This inscription informs us that "King Psammatikhos having come to Elephantine, the people who were with Psammatikhos, son of Theocles, wrote this. They ascended above Kerkis, to where the river ceases; Potasimto commanded the foreigners, Amasis the Egyptians. At the same time also wrote Arkhon, son of Amoibikhos, and Peleqos, son of Ulamos." Following the example of their officers, the soldiers also wrote their names here and there, each in his own language--Ionians, Rhodians, Carians, Phoenicians, and perhaps even Jews; e.g. Elesibios of Teos, Pabis of Colophon, Telephos of Ialysos, Abdsakon son of Petiehve, Gerhekal son of Hallum. The whole of this part of the country, brought to ruin in the gradual dismemberment of Greater Egypt, could not have differed much from the Nubia of to-day; there were the same narrow strips of cultivation along the river banks, gigantic temples half buried by their own ruins, scattered towns and villages, and everywhere the yellow sand creeping insensibly down towards the Nile. The northern part of this province remained in the hands of the Saite Pharaohs, and the districts situated further south just beyond Abu-Simbel formed at that period a sort of neutral ground between their domain and that of the Pharaohs of Napata. While all this was going on, Syria continued to plot in secret, and the faction which sought security in a foreign alliance was endeavouring to shake off the depression caused by the reverses of Jehoiakim and his son; and the tide of popular feeling setting in the direction of Egypt became so strong, that even Zedekiah, the creature of Nebuchadrezzar, was unable to stem it. The prophets who were inimical to religious reform, persisted in their belief that the humiliation of the country was merely temporary. [Illustration: 417.jpg THE FACADE OF THE GREAT TEMPLE OF ABU-SIMBEL] Drawn by Boudier, from a photograph by Daniel Heron.