caused winged bulls of white alabaster and limestone statues of the gods to be hewn in the quarries of Balad near Nineveh. He presided in person at all these operations--at the raising of the soil, the making of the substructures of the terrace, the transport of the colossal statues or blocks and their subsequent erection; indeed, he was to be seen at every turn, standing in Ids ebony and ivory chariot, drawn by a team of men. When the building was finished, he was so delighted with its beauty that he named it "the incomparable palace," and his admiration was shared by his contemporaries; they were never wearied of extolling in glowing terms the twelve bronze lions, the twelve winged bulls, and the twenty-four statues of goddesses which kept watch over the entrance, and for the construction of which a new method of rapid casting had been invented. [Illustration: 065.jpg KING SENNACHERIB WATCHING THE TRANSPORT OF A COLOSSAL STATUE] Drawn by Faucher-Gudin, from Layard. Formerly the erection of such edifices cost much in suffering to the artificers employed on them, but Sennacherib brought his great enterprise to a prompt completion without extravagant outlay or unnecessary hardship inflicted on his workmen. He proceeded to annex the neighbouring quarters of the city, relegating the inhabitants to the suburbs while he laid out a great park on the land thus cleared; this park was well planted with trees, like the heights of Amanus, and in it flourished side by side all the forest growths indigenousnto the Cilician mountains and the plains of Chaldaea. A lake, fed by a canal leading from the Khuzur, supplied it with water, which was conducted in streams and rills through the thickets, keeping them always fresh and green. Vines trained on trellises afforded a grateful shade during the sultry hours of the day; birds sang in the branches, herds of wild boar and deer roamed through the coverts, in order that the prince might enjoy the pleasures of the chase without quitting his own private grounds. [Illustration: 066.jpg ASSYRIAN BAS-RELIEFS AT BAVIAN] Drawn by Faucher-Gudin, from a sketch in Layard.