representation, and round these they grouped such of the less important episodes as lent themselves best to picturesque treatment, and scattered sparingly over the rest of the field the minor accessories which seemed suitable to indicate more precisely the scene of the action. Under the auspices of this later school, Assyrian foot-soldiers are no longer depicted attacking the barbarians of Media or Elam on backgrounds of smooth stone, where no line marks the various levels, and where the remoter figures appear to be walking in the air without anything to support them. If the battle represented took place on a wooded slope crowned by a stronghold on the summit of the hill, the artist, in order to give an impression of the surroundings, covered his background with guilloche patterns by which to represent the rugged surface of the mountains; he placed here and there groups of various kinds of trees, especially the straight cypresses and firs which grew upon the slopes of the Iranian table-land: or he represented a body of lancers galloping in single file along the narrow woodland paths, and hastening to surprise a distant enemy, or again foot-soldiers chasing their foes through the forest or engaging them in single combat; while in the corners of the picture the wounded are being stabbed or otherwise despatched, fugitives are trying to escape through the undergrowth, and shepherds are pleading with the victors for their lives. It is the actual scene the sculptor sets himself to depict, and one is sometimes inclined to ask, while noting the precision with which the details of the battle are rendered, whether the picture was not drawn on the spot, and whether the conqueror did not carry artists in his train to make sketches for the decorators of the main features of the country traversed and of the victories won. The masses of infantry seem actually in motion, a troop of horsemen rush blindly over uneven ground, and the episodes of their raid are unfolded in all their confusion with unfailing animation. [Illustration: 073.jpg AN ASSYRIAN CAVALRY RAID THROUGH THE WOODS] Drawn by Faucher-Gudin, from Layard. For the first time a spectator can realise Assyrian warfare with its striking contrasts of bravery and unbridled cruelty; he is no longer reduced to spell out laboriously a monotonous narrative of a battle, for the battle takes place actually before his eyes. And after the return from the scene of action, when it is desired to show how the victor employed his prisoners for the greater honour of his gods and his own glory, the picture is no less detailed and realistic. [Illustration: 074.jpg (and 75) TRANSPORT OF A WINGED BULL ON A SLEDGE.] Drawn by Faucher-Gudin, from Layard.