The numerous facts which we have brought together in this chapter, appears to us most calculated to fix all the questions relative to embalming which long discussions and reasonings have lost sight of. They prove that bodies, placed in the bosom of the earth, covered only with a few feet of sand have been preserved for ages; that others scarcely embalmed, have been discovered untouched: after this, what becomes of the necessity of advanced arts, and perfection of ingenuity, when on the other hand, we see nations that have attained a high degree of civilization, with an immense mass of knowledge of all kinds, but in other conditions, geological and atmospherical, have not transmitted to us, although nearer our own epoch, any thing more than a little dust from the most gorgeous sepulchres? The brief view which we cast upon the assemblage of facts which have been submitted to us, leads to totally different conclusions from those which precede, and which convinces us--1st. Of all the arts, that of embalming ought the most readily to have presented itself to the mind of the Guanches, of the Egyptians, and of all those nations placed under analogous atmospherical and geological conditions: 2d. For no others does nature offer more positive lessons or more efficient aid: 3d. The Egyptians have embalmed from the earliest period of their civilization, before any art was very much advanced; four or five species of their mummies offer sufficient proof of this: 4th. The arts of perfecting and weaving tissues; of melting, fashioning, and colouring glass and metals; the delicate art of engraving on fine stones; the art of working wood, of painting it, of ornamenting it, and of giving it the éclat of gold, of varnish, and of enamel; the art of preparing perfumes, and of causing to enter even the very flesh, odoriferous powders, essences, and resins; all these arts have contributed, according to their degree of development, to complicate and perfect the art of making mummies, so simple at its commencement: 5th. Transported into countries where the exterior conditions are different, this art has been found inefficacious, and has scarcely ever attained its end. We shall have proofs of this in the following chapter. CHAPTER V. EMBALMING, FROM THE EGYPTIANS DOWN TO OUR DAY. Here facts are almost entirely wanting, and the history of the art we are studying, can only be followed in the recitals of historians, to control whose veracity we have no longer those monuments which Egypt offers us in such great numbers. Among the Jews, the Greeks, the Romans, and all modern nations, we see the honours of embalming accorded to kings, princes, and men of distinction; but no tomb that has been opened, has rendered a single mummy so perfect, as those which we admire among the Egyptians; and if some rare and distant examples inform us of a durable preservation, the marvellous and extraordinary details accompanying it causes us to doubt the fact itself.