History of English Humour, Vol. 1: With an Introduction upon Ancient Humour — John Shaqi
History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
In the above instances it will be observed that destruction or
disappointment of enemies was the primary, and amusement the secondary
object. It must be admitted that all such jokes are of a very poor and
severe description. They have not the undesigned coincidence of the
ludicrous nor the fanciful invention of true humour. Samson was
evidently regarded as a droll fellow in his day, but beyond his jokes
the only venture of his on record is a riddle, which showed very little
ingenuity, and can not be regarded as humorous now, even if it were so
then.
It would, perhaps, be going too far to assert that no laughter of a
better kind existed before the age at which we are now arrived; some
minds are always in advance of their time, as others are behind it, but
they are few. The only place in which there is any approach in early
times to what may be called critical laughter is recorded where Abraham
and Sarah were informed of the approaching birth of Isaac. Perhaps this
laughter was mostly that of pleasure. Sarah denied that she laughed, and
Abraham was not rebuked when guilty of the same levity.[4]
With the exception of the above-mentioned riddle, and rough pranks of
Samson, we have no trace of humour until after the commencement of the
Monarchy. The reigns of David and Solomon seemed to have formed the
brightest period in the literary history of the Jews. The sweet Psalmist
of Israel was partly the pioneer to deeper thought, partly the
representative of the age in which he lived. It is the charm of his
poetry that it is very rich and recondite--a mine of gold, which the
farther it is worked, the more precious its yield becomes. But it
everywhere bears the stamp of passion and religious ardour, and does not
bespeak the critical incisiveness of a highly civilised age.
Argumentative acumen would have been as much below the poetic mind of
David in one respect as it was above it in another, and while his
rapturous language of admiration and faith seems above the range of
human genius; his bitter denunciations of his enemies remind us of his
date, and the circumstances by which he was surrounded. Such immaturity
would be sufficient to account for the non-existence of humour. It may
be urged that David had no tendency in that direction. His thoughts were
turned towards the sublime, and his religious character, his royal
estate, and the vicissitudes of his early life, all inclined him to
serious reflection. But we do not find that David was invariably grave
and solemn. He indulged in laughter at the misfortunes of his
adversaries, as we may conclude from a passage in Psalm lii, 6. "God
shall likewise destroy thee for ever; he shall take thee away and pluck
thee out of thy dwelling-place, and root thee out of the land of the
living. Selah. The righteous also shall see and fear, and shall laugh at
him."
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