History of English Humour, Vol. 1: With an Introduction upon Ancient Humour — John Shaqi
History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
unenviable notoriety of having been the first to dip his pen in viper's
gall. Good cause had he for his complaints, for a young lady's father,
one Lycambes, refused to give him his daughter's hand. There was
apparently some difficulty about the marriage gifts--the poet having
nothing to give but himself. Rejected, he took to writing defamatory
verses on Lycambes and his daughters, and composed them with so much
skill and point that the whole family hanged themselves. Allusions,
which led to such a catastrophe, could not now be regarded as
pleasantries; but at that time he obtained a high reputation, and
perhaps the suicide of the wretched Lycambes was considered the best
joke of all.[8] The fragments which remain to us of Archilochus'
productions seem melancholy enough, and the only place where he speaks
of laughter is where he calls Charilaus "a thing to be laughed at,"--an
expression which would seem to point to some personal deformity--we are
told, however, by later writers, that he was a glutton. In another
remaining passage Archilochus says that "he is not fond of a tall
general walking with his legs apart, with his hair carefully arranged,
and his chin well shaven;" where we still detect the same kind of
caricature, and in default of any adequate specimen of his "gall," we
may perhaps be excused for borrowing an illustration from Alcaeus, who
lived slightly later; and who, speaking of his political opponent
Pittacus, calls him a "bloated paunch-belly," and a "filthy
splay-footed, crack-footed, night fellow."
Archilochus lived in the fable age, and the most perfect of the small
fragments remaining of his works are of that allegorical description.
But he may be regarded as a representative of the dull and bitter humour
of his time--a large proportion of which, as in his writings, and those
of Simonides and Hesiod, was ungallantly directed against the "girls of
the period."[9]
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