History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
His "Urn Burial" with "The Garden of Cyrus" (1658) begins with
antiquarianism, and ends with the famous passages on the vanity of
desiring "to subsist in lasting monuments". "But Man is a noble animal,
splendid in ashes, and pompous in the grave, solemnising nativities and
deaths with equal lustre, nor omitting ceremonies of bravery in the
infamy" (infimy?) "of his nature." "The Garden of Cyrus" concerning the
mystic virtues of the quincunx (like _cinq_ in dice) is more fantastic
and Pythagorean. The motto for the posthumously published "Christian
Morals" might be selected from one line in its counsels,
Yet hold thou unto old Morality.
It wears better than the new article!
To know Browne's works is no small part of a liberal education. He
lived in quiet and opulence, "his whole house and garden being a
paradise and cabinet of rarities," says Evelyn; he was much occupied in
correspondence with the learned and with his eldest son, and with local
history, till his death on 19 October, 1682.
Charles II had dubbed him knight at Norwich in 1671. Charles, in Dr.
Johnson's phrase, had skill to discover excellence, and virtue to
reward it, with such honorary distinctions, at least, as cost him
nothing.
CAROLINE PROSE.
Milton.
The greater part of Milton's prose works is so deeply concerned with
politics, mainly religious or concerned with Church government, that
it cannot easily be criticized without controversial interruptions,
here out of place. His earliest important piece (1641) treats of the
Reformation in England. It had never come up to Strafford's standard,
_Thorough_, never shaken off "the rags of Rome"--that is Milton's
theme. Nor, in Scotland, had reformation really been more successful,
for the preachers claimed at least all the powers of the priests over
the liberties of the subject.
Public-domain text, read in full here on John Shaqi.
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