History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Observe also in a corner of this forest, a band of satyrs dancing under
the green leaves. They come leaping like wanton kids, as gay as birds of
joyous spring. The fair Hellenore, whom they have chosen for "May-lady,"
"daunst lively" also, laughing, and "with girlonds all bespredd." The
wood re-echoes the sound of their "merry pypes. Their horned feet the
greene gras wore. All day they daunced with great lustyhedd," with
sudden motions and alluring looks, while about them their flock feed on
"the brouzes" at their pleasure. In every book we see strange
processions pass by, allegorical and picturesque shows, like those which
were then displayed at the courts of princes; now a masquerade of Cupid,
now of the Rivers, now of the Months, now of the Vices. Imagination was
never more prodigal or inventive. Proud Lucifera advances in a chariot
"adorned all with gold and girlonds gay," beaming like the dawn,
surrounded by a crowd of courtiers whom she dazzles with her glory and
splendor: "six unequall beasts" draw her along, and each of these is
ridden by a Vice. Idleness "upon a slouthfull asse... in habit blacke...
like to an holy monck," sick for very laziness, lets his heavy head
droop, and holds in his hand a breviary which he does not read;
Gluttony, on "a filthie swyne," crawls by in his deformity, "his
belly... upblowne with luxury, and eke with fatnesse swollen were his
eyne; and like a crane his necke was long and fyne," dressed in
vine-leaves, through which one can see his body eaten by ulcers, and
vomiting along the road the wine and flesh with which he is glutted.
Avarice seated between "two iron coffers, upon a camell loaden all
with gold," is handling a heap of coin, with threadbare coat, hollow
cheeks, and feet stiff with gout. Envy "upon a ravenous wolfe still did
chaw between his cankred teeth a venemous tode, that all the poison ran
about his chaw," and his discolored garment "ypainted full of eies,"
conceals a snake wound about his body. Wrath, covered with a torn and
bloody robe, comes riding on a lion, brandishing about his head "a
burning brond," his eyes sparkling, his face pale as ashes, grasping in
his feverish hand the haft of his dagger. The strange and terrible
procession passes on, led by the solemn harmony of the stanzas; and the
grand music of oft-repeated rhymes sustains the imagination in this
fantastic world, which, with its mingled horrors and splendors, has just
been opened to its flight.
Public-domain text, read in full here on John Shaqi.
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