History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
writes) had three faire silver tables, in one of which superficies was a
large map of Constantinople, in the second Rome neatly engraved, in the
third an exquisite description of the whole world; and much delight he
took in them. What greater pleasure can there now be, than to view those
elaborate maps of Ortelius, Mercator, Hondius, etc.? to peruse those
books of cities put out by Braunus and Hogenbergius? to read those
exquisite descriptions of Maginus, Munster, Herrera, Laet, Merula,
Boterus, Leander Albertus, Camden, Leo Afer, Adricomius, Nic. Gerbelius,
etc.? those famous expeditions of Christopher Columbus, Americus
Vespucius, Marcus Polus the Venetian, Lod. Vertomannus, Aloysius
Cadamustus, etc.? those accurate diaries of Portugals, Hollanders, of
Bartison, Oliver a Nort, etc., Hacluit's Voyages, Pet. Martyr's Decades,
Benzo, Lerius, Linschoten's relations, those Hodaeporicons of Jod. a
Meggen, Brocarde the Monke, Bredenbachius, Jo. Dublinius, Sands, etc.,
to Jerusalem, Egypt, and other remote places of the world? those
pleasant itineraries of Paulus Hentzerus, Jodocus Sincerus, Dux Polonus,
etc.? to read Bellonius observations, P. Gillius his survayes; those
parts of America, set out, and curiously cut in pictures, by Fratres a
Bry? To see a well cut herbal, hearbs, trees, flowers, plants, all
vegetals, expressed in their proper colours to the life, as that of
Matthiolus upon Dioscorides, Delacampius, Lobel, Bauhinus, and that last
voluminous and mighty herbal of Besler of Noremberge; wherein almost
every plant is to his own bignesse. To see birds, beasts, and fishes of
the sea, spiders, gnats, serpents, flies, etc., all creatures set out by
the same art, and truly expressed in lively colours, with an exact
description of their natures, vertues, qualities, etc., as hath been
accurately performed by Ælian, Gesner, Ulysses Aldrovandus, Bellonius,
Rondoletius, Hippolytus Salvianus, etc."[381]
He is never-ending; words, phrases, overflow, are heaped up, overlap
each other, and flow on, carrying the reader along, deafened, stunned,
half drowned, unable to touch ground in the deluge. Burton is
inexhaustible. There are no ideas which he does not iterate under fifty
forms: when he has exhausted his own, he pours out upon us other
men's--the classics, the rarest authors, known only by savants—authors
rarer still, known only to the learned; he borrows from all. Underneath
these deep caverns of erudition and science, there is one blacker and
more unknown than all the others, filled with forgotten authors, with
crackjaw names, Besler of Nuremberg, Adricomius, Linschoten, Brocarde,
Bredenbachius. Amidst all these antediluvian monsters, bristling with
Latin terminations, he is at his ease; he sports with them, laughs,
skips from one to the other, drives them all abreast. He is like old
Proteus, the sturdy rover, who in one hour, with his team of
hippopotami, makes the circuit of the ocean.
Public-domain text, read in full here on John Shaqi.
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