History of English Literature Volume 1 (of 3) — John Shaqi
History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
this secret contrariety of creative forces which produced the literary
incompleteness, the licentious plays, the abortive drama of Dryden and
Wycherly, the poor Greek importations, the gropings, the minute beauties
and fragments of Ronsard and the Pleiad. We may confidently affirm that
the unknown creations toward which the current of coming ages is bearing
us will spring from and be governed by these primordial forces; that, if
these forces could be measured and computed we might deduce from them,
as from a formula, the characters of future civilization; and that if,
notwithstanding the evident rudeness of our notations, and the
fundamental inexactitude of our measures, we would nowadays form some
idea of our general destinies, we must base our conjectures on an
examination of these forces. For, in enumerating them, we run through
the full circle of active forces; and when the race, the environment,
and the moment have been considered--that is to say the inner
mainspring, the pressure from without, and the impulsion already
acquired--we have exhausted not only all real causes but again all
possible causes of movement.
VI. History is a mechanical and psychological problem. Within certain
limits man can foretell
There remains to be ascertained in what way these causes, applied to a
nation or to a century, distribute their effects. Like a spring issuing
from an elevated spot and diffusing its waters, according to the height,
from ledge to ledge, until it finally reaches the low ground, so does
the tendency of mind or of soul in a people, due to race, epoch, or
environment, diffuse itself in different proportions, and by regular
descent, over the different series of facts which compose its
civilization.[3] In preparing the geographical map of a country,
starting at its watershed, we see the slopes, just below this common
point, dividing themselves into five or six principal basins, and then
each of the latter into several others, and so on until the whole
country, with its thousands of inequalities of surface, is included in
the ramifications of this network. In like manner, in preparing the
psychological map of the events and sentiments belonging to a certain
human civilization, we find at the start five or six well determined
provinces--religion, art, philosophy, the state, the family, and
industries; next, in each of these provinces, natural departments, and
then finally, in each of these departments, still smaller territories
until we arrive at those countless details of life which we observe
daily in ourselves and around us. If, again, we examine and compare
together these various groups of facts we at once find that they are
composed of parts and that all have parts in common. Let us take first
the three principal products of human intelligence--religion, art, and
philosophy. What is a philosophy but a conception of nature and of its
[primordial causes] under the form of abstractions and formulas? What
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